Editor
After May 1968, they experimented with communities, squats or free love, with the hope of real change. Today, at retirement age, they live in new places and promote ways of living better and growing old together. What if they were right, these former protesters whose utopias have been muted by triumphant individualism?
Writer
After May 1968, they experimented with communities, squats or free love, with the hope of real change. Today, at retirement age, they live in new places and promote ways of living better and growing old together. What if they were right, these former protesters whose utopias have been muted by triumphant individualism?
Director
After May 1968, they experimented with communities, squats or free love, with the hope of real change. Today, at retirement age, they live in new places and promote ways of living better and growing old together. What if they were right, these former protesters whose utopias have been muted by triumphant individualism?
Director
Depois de décadas de concertos esgotados e reconhecimento internacional, o músico Gilberto Gil embarca num novo género de tournée mundial pelo hemisfério sul. Do Brasil à Austrália, passando pela África do Sul, Gilberto Gil continua o trabalho que iniciou no Ministério da Cultura, quando se tornou no primeiro ministro negro do Brasil – promovendo o poder da diversidade cultural num mundo globalizado e partilhando a sua visão do nosso futuro comum: um planeta diverso e interligado carregado de esperança, partilha… e, claro, música!
Writer
Because jazz is the miraculous product of the horror of slavery, Youssou N'Dour returned to the slave route and the music they created, in search of new inspiration. Accompanied by the blind Swiss pianist Moncef Genoud and the Director of the Gorée House of Slaves Museum, Joseph N'Diaye, the Senegalese singer wrote new songs during this initiatory voyage which took him to the USA then to Europe. At Gorée, an island just off the Senegalese coast and symbol of the slave trade, his memorable concert marked the end of this quest and the start of a new challenge: making today's generation aware of the tragedy of slavery, the importance of not forgetting and the need for reconciliation.
Director
Because jazz is the miraculous product of the horror of slavery, Youssou N'Dour returned to the slave route and the music they created, in search of new inspiration. Accompanied by the blind Swiss pianist Moncef Genoud and the Director of the Gorée House of Slaves Museum, Joseph N'Diaye, the Senegalese singer wrote new songs during this initiatory voyage which took him to the USA then to Europe. At Gorée, an island just off the Senegalese coast and symbol of the slave trade, his memorable concert marked the end of this quest and the start of a new challenge: making today's generation aware of the tragedy of slavery, the importance of not forgetting and the need for reconciliation.
