Yann Gonzalez

Alex and Sacha are shaken up by the closure of the online video game on which they met. As Alex and his mother go on holiday to the south of France where Sacha lives, the two teenagers will attempt to meet up and finish the game together.

Fragmented memories of a voyeur in 3 chapters: "I grew up" but I’m still falling. "The stalker" who loses his footing. "Memory" and regression.

An unusual bandit trio spends autumn in a village by Lake Maggiore. In their holiday apartment they create a parallel world, which little reflects their surroundings. As the pressures of the outside world begin to weigh in on them, they kidnap a tourist in order to give their lives a purpose.

O músico Oliver Sim é o convidado principal de um programa de entrevistas que logo se transforma em uma jornada surrealista de amor, vergonha e sangue. Um filme de terror queer em três partes com músicas do tão esperado álbum de estreia de Sim, Hideous Bastard.

O músico Oliver Sim é o convidado principal de um programa de entrevistas que logo se transforma em uma jornada surrealista de amor, vergonha e sangue. Um filme de terror queer em três partes com músicas do tão esperado álbum de estreia de Sim, Hideous Bastard.

A man is dreaming of a city. Unless the city is dreaming of him.

Dead city. Foggy night. A saxophone is playing. Lust is lurking.

Dead city. Foggy night. A saxophone is playing. Lust is lurking.

We see a succession of scattered glam images: beat-up figures on lucid papers and dreamlike landscapes, until the (apelike) apparition of a model and her photographer. Together, they will play martyr and demiurge. They will attempt to achieve grace in a world of moving surfaces.

Nearly 3 hours of LGBTQ and Coming-of-Age short films and music videos await you in the debut of Altered Innocence’s cinematic mixtape supreme! Films from established auteurs like Peter Strickland, Cam Archer, João Nicolau, and Yann Gonzalez join fresh new voices such as Alexis Langlois, Shaun Hughes, Caroline Poggi, and Jonathan Vinel. Cruising, dancing, naked wrestling, trans terrorism, first love, bullies, femme fatales, band practice, and more is in store! The short films are: After School Knife Fight (2017); Bunny (2018); Doors Cut Down [En malas compañías] (2000); Gabber Lover (2016); Wild Haggis [Gambozinos] (2013); GUO4 (2019); Hunt [Jakt] (2018); Terror, Sisters! [De la terreur, mes sœurs!] (2019). The music videos are: 'Les vacances continuent' by Perez (2015); 'Niemand' by Kompromat (2019); 'Our Time' by Imperial Teen (2002).

User LonerWolf58 is part of the incel community. They consider themselves as involuntary celibate. His videos have been reported for violent and terrorist content. I have to make him disappear from the net.

Two policemen interrupt a secret ceremony: a woman being disembowelled at the bottom of a garden to let out her inner beauty. This situation is presented in a variety of ways and all possibilities are explored.

Short introduction to the film Knife+Heart (2019).

Short introduction to the film Knife+Heart (2019).

Mock porn trailer directed by Yann Gonzalez for Knife+Heart (2019).

Three short films, out of the ordinary, brought together under a bewitching and enticing title. They are After School Knife Fight by the duo Poggi/Vinel, Les Îles by Gonzales, and Ultra Pulpe by Mandico. Three atmospheres, three sensitivities, going through three forms of expression (music, theatre and cinema) and which, put end-to-end, create an alternative pathway towards borrowed worlds of romance first, then obsession, and in the end, possession. Worlds of soft naivety, of nightmarish creatures and of pop fantasy, reminding us of the mysterious and velvety snatches of our dreams that stick to the spirit when one leaves them.

Paris, verão de 1979. Anne é produtora de pornografia gay barata. Quando Lois, sua editora e companheira, a deixa, ela tenta recuperá-la, fazendo um filme mais ambicioso com o extravagante Archibald.

Paris, verão de 1979. Anne é produtora de pornografia gay barata. Quando Lois, sua editora e companheira, a deixa, ela tenta recuperá-la, fazendo um filme mais ambicioso com o extravagante Archibald.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

After wandering a ruined city for years in search of food and shelter, two siblings find their way into one of the last remaining buildings. Inside, they find a man who will make them a dangerous offer to survive the outside world.

Rose (Kate Moran) performs a series of gruesome acts on sleazy men.

At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.

Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.

Bianca and her mother meet again in Porto after many years. Together, they will hit the road with their stripping show, running after lost time, impossible love and strange fantasies.

Bianca and her mother meet again in Porto after many years. Together, they will hit the road with their stripping show, running after lost time, impossible love and strange fantasies.

A party at night. Some teenagers dance and fall in love as if it was the first and the last time.

In the darkness of their respective rooms, two girls, in love with one another, converse on the Internet. But something is broken.

Macha, Nathan and Walter are awaited by a young man outside the high-school. He's here to lead them. Away from the city. To the sea. Into a night they might never return from.

Macha, Nathan and Walter are awaited by a young man outside the high-school. He's here to lead them. Away from the city. To the sea. Into a night they might never return from.

Kate screams, burns, kisses furiously. But the times are tepid, the music "cold," and Kate can no longer come. Until Julien, who died ten years ago, gives her pleasure again.

Kate screams, burns, kisses furiously. But the times are tepid, the music "cold," and Kate can no longer come. Until Julien, who died ten years ago, gives her pleasure again.

A suburb housing. Two girls on the phone are looking for each other but never succeed to meet. One of them vanishes.

A girl, a boy, a ghost. Some pop music and noisy rock. Meanwhile, youth keeps fading away.

Night. Kisses. A consumed heart.

Night. Kisses. A consumed heart.

Night. Kisses. A consumed heart.