Rafael Ibáñez

Filmes

The Killer of Dolls
Associate Producer
A groundskeeper's son, who is mentally unstable due to childhood trauma, goes on a murdering spree where his perception of reality is distorted by imagining people as mannequins and vice versa.
Django Does Not Forgive
A halfbreed seeks revenge for the death of his sister, who kills herself after being raped by an officer of the Canadian Mounted Police. He gets involved in the historical revolt of halfbreeds and Indians led by Louis Riel in 1885 against the Canadian government.
A Sombra de um Revolver
(uncredited)
Dois atiradores são contratados para uma missão: proteger uma pequena e pobre vila mexicana de gangue de bandidos inescrupulosos. A parceria entre eles, entretanto, tem um fim quando um deles foge para viver uma vida hamoniosa com a filha do parceiro. O casal tenta levar uma vida serena, mas acabam criando sérios conflitos com um poderoso homem da cidade. Logo o antigo parceiro volta para buscar vingança, mas ele e seu velho amigo acabam tendo de juntar forças para acabar com a ameaça do poderoso homem da cidade e de seu sócio em uma emboscada no meio de uma cidade completamente lotada de atiradores. Música marcante de Nico Fidenco
Hercules Against the Sons of the Sun
Hercules, after sailing global waters is eventually shipwrecked in South America. After losing his Greek shipmates, Hercules is enlisted to overthrow a tyrannical king int he land of the Incas. Featuring scenic views of the mountains of the Andes.
Ella y el miedo
O Terrível Dr. Orloff
Dr. Orlof, um médico da antiga prisão, rapta mulheres bonitas de boates e tenta usar suas peles para reparar o rosto de sua filha destruída pelo fogo. Auxiliado por Morpho, uma monstruosidade deformada que se deleita em morder suas vítimas. Orlof tinha que se apressar, embora pois um inspetor de polícia jovem e sua namorada bailarina investigam suas práticas sádicas.
Vampiresas 1930
As the era of silent films finds itself at a close, four down-and-out silent film actors and musicians struggle to find work. Fate leads them to a former star of the silent era as she struggles to escape her reputation as a wild and evil vamp of the silver screen and longs to be just thought of as an honest and decent woman. They join forces, and for a short time have a decent amount of success singing and dancing at clubs and bars. But the public has an insatiable taste for foreign black jazz bands, and they will stop at nothing to become a success.
Siempre es domingo
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.
El pobre García
García is employed of advertising at a factory of razor blades and goes out in secret with Conchita, the daughter of the director. One day, taking advantage of the cycle return to Spain, García puts into practice a new and risky system of making him an advertising, but Raúl, the director, dismisses García because he didn´t like the idea. From here, García will gain the life himself in the most varied works: barber, bootblack and guide of the Prado Museum. A difficult situation in order that his former chief accepts the relation that it supports with his daughter.
Margarita se llama mi amor
Margarita is a beautiful and explosive girl studying in the Faculty of Arts somewhere in Galicia. To the chagrin of the rest of the girls in the class, all the boys want to date her, to the point moniker of "the bride of the Faculty". However, who really steals the heart Margarita is another person ...
Queen of the Tabarin Club
In 1913 a family of traveling musicians goes to the house of a rich marquise. Lolita, daughter of one of the musicians, encounters the son of the wealthy lady.
Un tipo de sangre