Virendra Saini

Filmes

Kabhi Paas Kabhi Fail
Director
Robin, a mathematician genius is exploited by his uncle to make money.
Naseem
Director of Photography
Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.
Kabhi Haan Kabhi Naa
Director of Photography
A man belongs to a middle-class family and is intent on pursuing his career with a music group, despite his dad's disapproval. He is also in love with the lead singer, but she sees him mainly as a friend.
Salim Langde Pe Mat Ro
Director of Photography
Salim was born lame. He lives with his family and is looking for a suitable groom for his sister. In the process, Salim gets pulled into a life of crime and communal violence. He wants to reform but there is no redemption for him.
Mohan Joshi Hazir Ho!
Cinematography
An old couple, Mohan Joshi and his wife, sues their landlord for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers. The court case drags on for years and the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless.
Desert of a Thousand Lines
Cinematography
Based on the text written by Vijaydan Detha and Kamal Kothari, the film is set in the arid desert of Rajasthan, a setting similar to Duvidha, where two rival clans face off one another in the desert.
Sparsh
Director of Photography
Anirudh Parmar is blind, but he does not let this impairment bind him down. He runs a school for the blind as a Principal. He meets with the recently widowed Kavita. Kavita is attracted to him, and he slowly also gets attracted to her. When marriage is proposed, both agree to marry each other. Then Anirudh starts having doubts whether this marriage is going to succeed, as he feels he is being patronized, and pittied.
Albert Pinto Ko Gussa Kyoon Aata Hai
Director of Photography
'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.
The Strange Fate of Arvind Desai
Director of Photography
Arvind Desai is the only son of a rich businessman who deals in luxury handicrafts and products. His feelings for his father are mixed—while he hates his dominating nature, he admires his power and lack of scruples. He has long discussions on art and politics with a Marxist friend Rajan, is seeing his father's secretary Alice, and sometimes he visits a prostitute, Fatima. Much against his wishes, his marriage is arranged to a girl from a high-class family that has just returned from Paris; much to the dismay of Alice's mother, who realizes that Alice was just time-pass for Arvind and nothing more.