Yasuyuki
When a Japanese restaurant is extorted by the London Mafia, a father takes matters into his own hands to protect his family and their business.
Director
A business man moves to the Philippines for work and brings his family along in a desperate attempt to heal their emotional detachment in the wake of his daughter's recent attempted suicide. But their idyllic new home comes with the supernatural appearance of lost WW2 Japanese soldiers forcing them to confront their definition of family, identity, and even history itself.
the Japanese terrorist leader
For an important case, a policeman needs the help of his former best friend to impersonate the daughter of a foreign dignitary in a beauty pageant.
Executive Producer
The story of its namesake - the forcible transfer of 76000 American and Filipino prisoners of war by the Japanese Army in 1942.
Hatori
The story of its namesake - the forcible transfer of 76000 American and Filipino prisoners of war by the Japanese Army in 1942.
A Yakuza member seeking to lead a new life in Manila. A morbid turn of events brings Haruo (Jacky Woo) to the squalor of Manila. A prized asset of the feared Yakuza in Tokyo, Haruo, aka Tadano Hayashi, escapes the criminal syndicate with bountiful cash, a helpless Filipina bar girl (Nina Kodaka) – and tragic consequences. Now solitary, he has uprooted himself to the railside slums of the metropolis, wistfully fending for himself. Still hiding from his past, he rents out a small room, seemingly lost in the clutter of wandering souls desperate for survival. There, he spends his days anonymously roaming the congested streets selling food, and even giving them away for the hungry. But he mostly keeps to himself, even to the inquisitive Edna (Rosanna Roces), an aging bar girl with whom he occasionally shares his bed.
Executive Producer
Makoto of the Japanese Imperial Army decided to go into hiding after the Japanese soldiers were defeated in 1945. In the dread of the forest, he decides to struggle despite efforts for him to surrender, thinking the war is not yet over. For a span of almost 20 years, he encounters different situations that will test his persona and his strength to his vow as a Japanese soldier.
Makoto of the Japanese Imperial Army decided to go into hiding after the Japanese soldiers were defeated in 1945. In the dread of the forest, he decides to struggle despite efforts for him to surrender, thinking the war is not yet over. For a span of almost 20 years, he encounters different situations that will test his persona and his strength to his vow as a Japanese soldier.
Jackie
Em uma base secreta no Alasca, encontra-se o segredo mais bem guardado sobre a Guerra Fria: substâncias colhidas de um meteoro capazes de fenômenos incríveis.
Yoshi Imaizumi
The plot is about Maria (Lovi Poe), a 16-year old girl who elopes with her boyfriend Ryan (Joem Bascon) to Baguio. While they are in a hotel in Baguio, they meet a terminally ill tourist (Jacky Woo) who is in Baguio beause it is where he met his ex-wife who is a Filipina. Maria develops a strange relationship with the tourist and she is later torn between the love of Ryan and the older stranger she has just met. Meanwhile, Maria’s father (Ricardo Cepeda) hires a private detective named Patrick (Jake Roxas) to look for his daughter. Patrick is a homosexual who is learning to deal with the promiscuity of his lover (Rico Barrera).
Shibata
Vic Ungasis is an archaeologist who has recovered the Kali of Humabon and is looking for a partner sword, the Kampilan of Lapu-Lapu, plus the Peseta, one of Judas Iscariot's 30 pieces of silver which reportedly gives the bearer immortality. Upon returning home, he reunites with the Escalera brothers, who have become successful real-estate developers. However, a Yakuza who has acquired the Kampilan wants the Peseta so it could be merged with the sword for unmatched power.
Takeru
Jacky plays the role of Takeru, a street-smart half-Japanese, half-Filipino, who falls in love with Kristine, the daughter of his rich Filipino boss. Despite Takeru and Kristine's mutual feelings, their relationship is hindered by the big gap in their social status and persistent mockery and discrimination from Kristine's arrogant brother John.
Writer
Jacky plays the role of Takeru, a street-smart half-Japanese, half-Filipino, who falls in love with Kristine, the daughter of his rich Filipino boss. Despite Takeru and Kristine's mutual feelings, their relationship is hindered by the big gap in their social status and persistent mockery and discrimination from Kristine's arrogant brother John.
Director
Jacky plays the role of Takeru, a street-smart half-Japanese, half-Filipino, who falls in love with Kristine, the daughter of his rich Filipino boss. Despite Takeru and Kristine's mutual feelings, their relationship is hindered by the big gap in their social status and persistent mockery and discrimination from Kristine's arrogant brother John.
Mr. Kho
A sudden widower, Victor finds himself solely responsible for raising his son, Tom Tom. To make money, he claims to be a medium who can speak with the dead and, for a price, soothe restless spirits. Tom Tom, however, discovers that he actually has the powers his father only pretends to possess. Will Victor be exposed as a fraud, or will Tom Tom help his lonely dad win the heart of the lovely, ghost-troubled Lalaine?
Fumio Ohkohara
The film tells the story of a (somehow) love-triangle set in Bohol during World War II; though the main underlying themes deals with Filipino nationalism and the legacies of colonialism.
Yat/Sun
Shaolin vs. Evil Dead is a kung fu vampire movie starring Gordon Liu. The work is one of Liu's most recent and was released between the time of Kill Bill volumes 1 & 2 and exploited his acting in the two films on the North American DVD cover. The movie title itself exploits the film Evil Dead, however there is actually no relationship between two films. The film also heavily references the style of Mr. Vampire, though has a unique plot. The film ends abruptly, without resolution, because of a planned sequel, which is previewed in the end credits.
The story is set in 1946 after the Japanese Imperial Army surrenders to American forces. Gregorio Magtanggol, a Hukbalahap member, who continues the fight against abusive civilian guards after World War II.