Rikun Zhu
Nascimento : , Guangdong Province, China
História
Zhu Rikun is an independent film director and producer, and a film festival curator. He is the founder and artistica director for Fanhall Films and Fanhall Canter for Arts.
Zhu Rikun was born in Guangdong province. He studied finance in Guanghua School of Management in Peking University from 1996 to 2000.In 2001 he founded Fanhall Films for film production, distribution and film festival organizing. He produced and distributed many important Chinese independent films that contributed a lot to the film art in China. Zhu Rikun established DOChina – Documentary Film Festival China in 2003, one of the earliest independent film festival in China,He is also the co-founder and program director of Beijing Independent Film Festival (since 2006 ). From 2005 to 2010 he is aslo the artistic director for LXT film fund. In 2007 he co-founded and joined Huangniutian Film Group.He has been the jury for Hong Kong International Film Festival (2012),Locarno Film Festvail (2011),CinDi-Seoul Digital Cinema Film Festival.
From 2012,he turned into a film director and artist. His first short documentary film Cha Fang (The Questioning) was finished in 2013 and shown in more than twenty international film festivals and won a few prize like best short documentary award in Festival Dei Popoli.
The Dossier is Zhu Rikun’s first feature length documentary film. Finished in 2014,it has been selected by Locarno Film Festival,Vancouver International Film Festival. His other films include Dust finished in 2014 and Welcome finished in 2016.
Director
The film shows the ordinary lives of young people in China, with all their romantic problems, unfulfilled dreams and existential crises that are interwoven into everyday dialogues and conversations with the director. The two central protagonists try to function in an open relationship, which suits only one of the partners, while the other suffers and longs for a family life. The possibility of emigration to America is a hope, but it is gradually receding due to the worsening political situation. The camera captures even the most intimate moments and puts the viewer in the position of a voyeur observing the exposed bodies and souls.
Producer
Chinese cities expand and gradually absorb the countryside. The village of Yangji was yet another victim to the expansion, which benefits local developers linked to the government. Rural residents are forced to vacate their simple dwellings and make room for new houses and entrepreneurs from the cities. The vast majority of local resistance will subside despite meager compensation and low prospects for decent housing, but Azhong is one of a handful of people who choose to fight against the corrupt system.
Director of Photography
Every child has the right to education in China. But ten-year-old Anni is not allowed to go to school. Why? Her father is a dissident. Anni and her father moved to be closer to her older sister. The little girl was not in her new school long enough to get settled – the secret police took her away after three days. Her father was, as so many times before, being interrogated. The school preferred to not have anything to do with such a family, so they have refused to continue educating her. Independent Chinese director Zhu Rikun, camera in hand, follows the movement of activists who have joined forces through the Weibo social network to support Anni. Will peaceful protests in front of the school and a petition be enough to pressure the school to take her back?
Editor
Every child has the right to education in China. But ten-year-old Anni is not allowed to go to school. Why? Her father is a dissident. Anni and her father moved to be closer to her older sister. The little girl was not in her new school long enough to get settled – the secret police took her away after three days. Her father was, as so many times before, being interrogated. The school preferred to not have anything to do with such a family, so they have refused to continue educating her. Independent Chinese director Zhu Rikun, camera in hand, follows the movement of activists who have joined forces through the Weibo social network to support Anni. Will peaceful protests in front of the school and a petition be enough to pressure the school to take her back?
Director
Every child has the right to education in China. But ten-year-old Anni is not allowed to go to school. Why? Her father is a dissident. Anni and her father moved to be closer to her older sister. The little girl was not in her new school long enough to get settled – the secret police took her away after three days. Her father was, as so many times before, being interrogated. The school preferred to not have anything to do with such a family, so they have refused to continue educating her. Independent Chinese director Zhu Rikun, camera in hand, follows the movement of activists who have joined forces through the Weibo social network to support Anni. Will peaceful protests in front of the school and a petition be enough to pressure the school to take her back?
Director
A black screen. Four voices are heard. Two men are telling and repeating to two others that they are “welcome to the region”. Gradually, the situation becomes clearer: the filmmaker, Zhu Rikun, is on a shoot in Sichuan. His interest is in the lung diseases that plague the region’s workers, a health problem already present in his film Dust and which the Chinese State is trying to hush up. So here he is, invited to a brief interview with the local authorities, which is audio-recorded and played back in full in the film. A raw document that bares the methods of power: the insistence of the censors, their successive changes in strategy ranging from sugar-coated threats to the express demand that the images be destroyed, which only fuels the desire to bear witness even further.
Writer
Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet.
Director
Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet.
Director of Photography
On July 24, 2012, I drove to a city to cheer three local independent candidates and human right activists. While doing these things, we found ourselves tailed. At 12:00 at night, some policemen came to our room and started the so-called room inspection.
Producer
On July 24, 2012, I drove to a city to cheer three local independent candidates and human right activists. While doing these things, we found ourselves tailed. At 12:00 at night, some policemen came to our room and started the so-called room inspection.
Self
On July 24, 2012, I drove to a city to cheer three local independent candidates and human right activists. While doing these things, we found ourselves tailed. At 12:00 at night, some policemen came to our room and started the so-called room inspection.
Director
On July 24, 2012, I drove to a city to cheer three local independent candidates and human right activists. While doing these things, we found ourselves tailed. At 12:00 at night, some policemen came to our room and started the so-called room inspection.
Producer
In 1994, the oil-rich city of Karamay in Northwest China was the site of a horrible fire that killed nearly 300 schoolchildren. The students were performing for state officials and were told to stand by while the officials exited first. After the fire, the story was heavily censored in the Chinese state media. To this day, the families of Karamay have not been allowed to publicly mourn their children.
Line Producer
The film consists almost entirely of an interview with the elderly He Fengming, recounting her experiences in post-1949 China.
