Nikša Butijer

After the death of her father, young scientist Ana struggles with an identity crisis, being the last member of a once large family. The changes inside her are suddenly reflected in reality – loneliness, crisis, emigration – and her scientific research on mystical symbols and human traces left in stone are mysteriously intertwined with her life.

Frustrated by the everyday rut and financial debts, taxi driver Andrija tries to find a way out by selling his family’s house in the country where his brother, a war veteran called Traktor, lives. He invites Traktor to move in with him and his wife Vesna.

A relação entre a adolescente Julija e Ante, seu opressivo pai, se tensiona ao limite quando um velho amigo da família chega em sua casa insular na Croácia. Enquanto Ante tenta fechar um negócio que vai mudar suas vidas, Julija, incomodada com a vida pacata e isolada que levam, busca mudanças através do visitante que traz consigo um gosto de liberação em um fim de semana cheio de desejo e violência.

Željka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.

25 years from the Homeland war, Croatia is far from ideal of the veterans, now disgruntled men silenced with pensions. A few war veterans are brought back together by an idea of Museum of Homeland Thanksgiving in Paromlin building in Zagreb city center.

On the eve of Mirjana’s 20 year work anniversary, when she is to receive an award at a modest celebration, her interactions with her loved ones illustrate her whole life: the one behind her, the one she is living and the one that is yet to come. «A Blue Flower» is a film about a woman, about a mother and a daughter, a film that evokes emotional associations and urges us to take a long hard look at ourselves.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

Croácia, sete anos após a grave crise econômica. Há uma luta acontecendo no mundo, a água se torna mais preciosa do que o petróleo. Para pegá-la, os poderosos estão prontos para iniciar guerras, conquistar, destruir e até mesmo plantar um vírus zumbi. Mico, um bon viveur de Zagreb, cuja rotina diária inclui casas de massagem, restaurantes e cinemas, onde assiste a uma série de filmes com sua atriz favorita, Franka Anic, é pego completamente desprevenido pela epidemia de zumbis.

A story about suicidal general, a minister in the Croatian government who voluntarily locks himself inside a prison cell, and 4 pensioners, who steal the coffin with the remains of the late Croatian president.

Divorced father Marko is hardly ever alone: he is surrounded on all sides by family, friends, co-workers and neighborhood fixers. Yet he is driven to the brink by limited contact with the one person he loves more than anyone – his daughter, who lives with her mother. When he starts the legal proceedings to get more time with his child, he enters the Kafkaesque world of a social-services system in meltdown. His fierce, paternal love for his child is both the source of his misery and his greatest joy.

The Fall. Two school kids on the bridge are about to admit something very important. On the same day, the avalanche of events unfolded between men, by no means are randomly directed to each other. It will result in one stopping of the elevator, one wheelchair, one night tram, one suicide thread, PTSP, wild sex, difference between the years, long silence and driving in the unknown, standing in the rain, a brutal confession, a video from the past, the deception of the deaf refugee, the traces of the Second World War and a gentle kiss.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

The thematic framework of the anthology feature film DEEP CUTS is violence in all of its forms: as a destruction of intimacy, family, integrity, trust.

Marinko, an assistant worker in the tow-away service has had visions of Virgin Mary. He does not know what to do with her.

Family tensions are slowly eroding what should have been a carefree summer for the young boy Jakov. A series of events ending in tragedy will incite his emotional revolt against the grown ups, but also his sense of guilt.

Homer and Joé trace the rivers of Croatia aboard a small boat. In spite of being fifty years old each one, none of them knew of the existence of the other until the recent death of the father of both. Now, however, they are half brothers. During the voyage, they meet Sean, an enigmatic Irish adventurer who will join them on the journey.

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.

After their son has been beaten up in the street, parents find their world of false security collapsing and have to re-examine their lives and question everything into what they believed.

A young couple, Robi and Ines have a 7-day deadline to pay off Robi's debt to the loan shark, or they will both be killed. When they meet a well-off banker, Marko, who could save them by lending them money, Ines and Marko become close. The crazy race against time results in a love triangle of bizarre emotions, lies and passion.

Keka is a virtuoso housewife who suffers because of the lethargy of her marriage with Baja, a concerned railway worker. To make things even worse, Keka is being seriously courted by Ilija, a handyman who is so clumsy that he produces apocalypse wherever he shows up. After Baja finally becomes aware of Ilija's intentions and after the two of them demolish Keka's home as a result of their clumsy showdowns, Keka decides to leave both of them and to go on a trip to the only place where she felt some happiness - to a small coastal village where she and Baja went on their honeymoon... However, things start to complicate because Keka falls under the scrutiny of Lujo, an untypical lonely fisherman-flirter. Baja and Ilija decide to go on a trip, to embark on the biggest adventure in their lives and to prove their love to Keka...

A sequel to omnibus "Zagreb Stories" tells about love and families in present-day Zagreb.

Em uma pitoresca vila na Dalmácia, há mais funerais do que nascimentos. Fabian (Kresimir Mikic) é um jovem padre indicado para ser o novo pároco desse lugar. Ao ouvir a confissão de um dos fiéis, ele descobre que a baixa natalidade é culpa da alta venda de preservativos. Horrorizado e querendo modificar essa situação, ele tem uma brilhante e drástica ideia: perfurar todas as camisinhas antes que elas sejam vendidas. Para isso, se junta ao jornaleiro Petar (Niksa Butijer) e ao farmacêutico Marin (Marija Skaricic). Só que o "milagroso" "boom" de bebês causa consequências inesperadas.

Boris is a satisfied fifty-year-old man with a wife, a daughter, a son, and… A lover. Younger one, of course. But he suddenly runs out of luck and thinks up a new plan to get back his harmonic life. However, with each new move he becomes more tangled up in a web of unexpected situations, his baits fall on unforeseen places, and his marital triangle gets more and more angles…

An abused wife leaves her husband, takes her child away and goes to live in a car.

The microcosmic world of a street market on the outskirts of Zagreb: traders, thieves, prostitutes, self-appointed security guards and other lost souls, each with their own unique ideas, passion or mania. We follow the tragicomic, mutually intertwined mini dramas of each character, as they fight to save the marketplace itself, when city planners threaten to raze it to the ground and replace it with a skyscraper.

War. A city under the siege. The truce has been recently signed, and the squad known as the 'Blacks', who used to do the dirty jobs, needs to be disbanded. Ivo, the squad commander who has lost three of his soldiers, prepares the action to retrieve their dead bodies from the forest and, despite the ceasefire, blow up the dam, thus causing a great damage to the enemy: The survived members of the squad, tortured by their personal doubts and guilt, move into action. On the battlefield, they find the enemy they are searching for is in the place they least expect - inside themselves.

Sunny, bright summer day in Vukovar. It is almost impossible to believe that the brightness and joy can be easily interrupted, enjoying and living a day like that.

Danijel and his Mom live together in a squalid flat. Daniel never leaves his armchair and spends his days reading comic books. One day Daniel’s Mom, after seeing a television programme How Clean is Your House, decides to clean the flat and give Danijel a bath. Finally in exhaustion, she falls asleep in her armchair, and Danijel runs away from home. He ends up at the train station but instead of boarding a train, he just stands on the platform and watches the trains go by. This is where his Mom will eventually find him and take him back home.

For the first time in his life, Miro (40) spends the night with a prostitute someone sent to him in a hotel after a business.