Yves Lafaye

Filmes

Estações do Amor
Camera Operator
França, 1935. Philippe (Yannick Renier) está apaixonado por Odile (Raphaëlle Agogué), uma bela mulher, e imediatamente decide casar-se com ela, apesar da relutância de seus pais. Eles preferiam para o seu filho único uma menina que fosse do mesmo "ambiente social" - Isabella (Agathe Bonitzer), por exemplo, que já conhecem desde a infância. Toda a família espera por um herdeiro, o que infelizmente não acontece. Odile abandona seu casamento para dedicar-se ao desenho, um talento que herdou de seu pai.
A Child's Battle
Director of Photography
A young French boy deals with the effects of war. Conflicts arise as his trusted neighbor and advisor is taken away by the Germans and the boy loses respect for his father, who tries to appease the German soldiers lodging in the family home.
The bird walker
Camera Operator
Since childhood, the farmer's daughter Sarah Minarel neighbors considered a strange child and bullied her. When she grew up and became an attractive girl, nothing changed. But Sarah paid no attention to the antics of neighbours, because was busy with interesting work — at the request of staff taxidermist Pacton she catches a rare bird…
Trois jours en juin
Director of Photography
June 1940. While the Germans advance inexorably on the French territory, the army is in full debacle. While the top brass played "sauve qui peut", a handful of French soldiers desperately resisted on the banks of the Loire. On one side, a company of Senegalese riflemen and a few French soldiers, on the other side, the armored tanks of the Wehrmarcht. An act with no real future, it was considered heroic by some and useless by others. But for their leader, Henri Dragance, there was no alternative but to resist or die.
Viper in the Fist
Director of Photography
1920. Jean Rezeau and his elder brother were living happily in their family estate in Brittany, until the death of their grandmother. The return of their mother, a worthy descendant of fairytales' witches, brings an all new atmosphere to their home.
Deux femmes à Paris
Cinematography
In Paris in 1935, a young Jewish woman married to an anti-fascist activist befriends her neighbor who is dating a far-right supporter.
À la Mode
Director of Photography
Fausto enters an orphanage and is initially bullied, but then makes friends with a new bunkmate, Raymond. He is apprenticed to Mietek, a tailor in the Jewish quarter, who teaches him the trade. Fausto charms everyone in the quarter, and falls in love with Tonie, the mechanic's daughter. He starts making outrageous suits for publicity and, after dressing Tonie, decides that he wants to be a famous couturier.
La vie continue
Director of Photography
Jeanne, mother of two children, loses her husband. She meets Pierre, abandoned by his wife.
Courage fuyons
Director of Photography
At forty years old, Martin Belhomme leads a quiet life with his wife and two children. One day, he falls hopelessly in love with Eva, a cabaret singer. He decides to follow her to Amsterdam. From then on, his life becomes very eventful!
Félicité
Director of Photography
After a bout of intense jealousy, Félicité finds herself alone. For one night, as her family dissipates, she relives her torments.
The Crying Woman
Director of Photography
Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...
The Night of Saint-Germain-des-Prés
Director of Photography
In 1951, in Saint-Germain-des-Prés, the private detective Nestor Burma was commissioned by an insurance company to find stolen jewelery. The deal seemed easy and Burma got an appointment with a well-known black trumpet player in the neighborhood who could provide him with information. But the musician does not come and we find him murdered. The investigation becomes more complicated and Nestor must find an alibi so as not to be suspected of the crime.
Mr. Michel's Dog
Director of Photography
In 1977, after working as an assistant director on several features, BETTY BLUE filmmaker Jean-Jacques Beineix directed the following short film about a man and his dog.
Gloria Mundi
Director of Photography
Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.
Os Meninos que Enganavam Nazistas
Director of Photography
Durante um período de ocupação nazista na França, os jovens irmãos judeus Maurice (Batyste Fleurial) e Joseph (Dorian Le Clech) embarcam em uma aventura para escapar dos nazistas. Em meio a invasão e a perseguição, eles se mostram espertos, corajosos e inteligentes em sua escapada, tudo com o objetivo de reunir a família mais uma vez.
Brincando com o Fogo
Director of Photography
Philippe Noiret plays a rich, Parisian banker whose daughter, Carolina, is kidnapped by a ruthless organization. They threaten to have her abused by the sadistic clients of a brothel they run if Father doesn’t pay the ransom on time.
Deslizamentos Progressivos do Prazer
Director of Photography
Uma jovem é suspeita do assassinato de sua amiga, uma mulher mais velha com quem mantinha uma relação conturbada. Confinada numa prisão dirigida por freiras, ela recebe a visita de um juiz, um pastor, e de uma jovem advogada que se assemelha estranhamente à sua amiga morta. Por meio de sua fértil imaginação, a jovem garota mistura suas fantasias pueris a uma sensualidade já muito desperta, operando sobre os adultos ao seu redor uma insidiosa transformação do espírito e da carne...
Antoine and Sebastian
Director of Photography
A film by Jean-Marie Périer.
As Duas Inglesas e o Amor
Assistant Camera
No início do século XX, Claude Roc, um jovem francês de classe média, faz amizade com a inglesa Anne. Enquanto passa um tempo na Inglaterra com a família de Anne, Claude se apaixona pela irmã dela, Muriel, mas as famílias de ambos impõem um ano de separação sem contato antes de poderem se casar.
La famille
Director of Photography
A film by Yvan Lagrange.
Who Cares: Anatomy of a Delivery Boy
Camera Operator
Experiencing something of a mid-life crisis after his beloved son marries and moves out, a factory worker makes some drastic changes in his life, moves in with the boy and his wife, and sets them all on the path to a communal lifestyle.
Renaissance
Director of Photography
A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.
Le journal de M. Bonnafous
Director of Photography