Director
Ex-professor primário, Shirô Sugano é um pintor e poeta japonê que sonhava em se tornar cantor de ópera. Sua neta, a diretora, desenha seu retrato ao longo dos anos. Uma relação privilegiada, divertida e lúcida sobre sua existência.
Director
Screenplay
In a world in ruins, only fungi and mold grow among gigantic carcasses of dried-out insects. A meteorological change takes place as rain irrigates the barren planet, progressively flooding it. A new ecosystem grows in the water, in which giant carnivorous tadpoles thrive. Plunged into an arid, then aquatic, space, Planet ∞ offers viewers the chance to enjoy an amazing multi-spatial and timeless experience.
Director
In a world in ruins, only fungi and mold grow among gigantic carcasses of dried-out insects. A meteorological change takes place as rain irrigates the barren planet, progressively flooding it. A new ecosystem grows in the water, in which giant carnivorous tadpoles thrive. Plunged into an arid, then aquatic, space, Planet ∞ offers viewers the chance to enjoy an amazing multi-spatial and timeless experience.
Editor
Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.
Camera Operator
Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.
Director
Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.
Director
An intense love moment between Jennifer and Tiffany. warning: This video can evoke an erotic emotion.
Director
On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.
Screenplay
On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.
Editor
In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.
Director
In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.
Producer
In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.
Director
A crazy love moment between 9 prawns.
Director
A love affair between an octopus and a red fish.
Writer
Somewhere in the Universe, the Planet Z. A miracle happens. A water jet springs up and gives birth to a new life: plants. A desert planet became a green planet… The film shows natural phenomena – and not subjects – to tell a story about a living, evolving and dying planet.
Director
Somewhere in the Universe, the Planet Z. A miracle happens. A water jet springs up and gives birth to a new life: plants. A desert planet became a green planet… The film shows natural phenomena – and not subjects – to tell a story about a living, evolving and dying planet.
Director of Photography
Salt: trace, absence of water, passage of time, invading epidemic, living cemetery. Water: manoeuvre, absolute value, fertility, rhizomes, chance. Cotton: corruption, economic issues, hydrophily, desertification. The world has become a vast dried out planet, where the growing of cotton, over exploited for economical reasons is the main cause of desertification. A saline desert covers acres of dried out land where strange salt trees appear. This phenomenon echoes an even greater ecological disaster, the desertification of the Aral Sea. And man is always responsible...
Writer
Salt: trace, absence of water, passage of time, invading epidemic, living cemetery. Water: manoeuvre, absolute value, fertility, rhizomes, chance. Cotton: corruption, economic issues, hydrophily, desertification. The world has become a vast dried out planet, where the growing of cotton, over exploited for economical reasons is the main cause of desertification. A saline desert covers acres of dried out land where strange salt trees appear. This phenomenon echoes an even greater ecological disaster, the desertification of the Aral Sea. And man is always responsible...
Director
Salt: trace, absence of water, passage of time, invading epidemic, living cemetery. Water: manoeuvre, absolute value, fertility, rhizomes, chance. Cotton: corruption, economic issues, hydrophily, desertification. The world has become a vast dried out planet, where the growing of cotton, over exploited for economical reasons is the main cause of desertification. A saline desert covers acres of dried out land where strange salt trees appear. This phenomenon echoes an even greater ecological disaster, the desertification of the Aral Sea. And man is always responsible...
Screenplay
Director
