Nie Yinniang is a short story written in Classical Chinese by Pei Xing, a Chinese writer who lived during the Tang dynasty. The story is set in 9th century China and tells the story of Nie Yinniang who was trained in martial arts from a young age. She is the daughter of Nie Feng, a general under Tian Ji'an, the ruler of the de facto independent fanzhen of Weibo.
The story tells that in 1944, Qingdao’s underground organization “Beidou” launched a fierce life-and-death confrontation with the Japanese gendarmerie, the Black Dragon Club and the military to protect a small girl who took the Soviet Union’s secret attack on the Japanese Kwantung Army.
On one day in September 1992, a driver (Xie Dong) goes to pick up his girlfriend, who is working the night shift. He happens to meet a cellist, Yingzi (Kong Lin), who missed her bus. After he drops off Yingzi, he finds her pager in his car.
The film follows a nurse, Ye Tong (Kong Lin), who also serves as the film's narrator. One day, Ye Tong reunites with some childhood friends, including Peng Wei, a disillusioned and long-haired young man who leads a local rock band. Ye finds herself attracted to Peng Wei's lifestyle, despite the admonitions of her police officer friend, Zheng Weidong. When Zheng is injured by a mutual friend, Ye finds herself increasingly attracted to the strait-laced Zheng, while also finding herself attracted to Peng.
Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.
Song-lian perde o pai e as dificuldades financeiras a obrigam a abandonar os estudos e a se tornar concubina de um homem rico. Ao mudar-se para sua mansão ela descobre que o senhor já possui outras três esposas, e que escolhe todos os dias uma delas para passar a noite, colocando lanternas vermelhas na porta de seu quarto. Aos poucos Song-lian vai começar a entender as intrigas e sabotagens, o jogo que acontece entre as mulheres que competem pela atenção do marido.
