Alexander Voulgaris

Aris, um homem solitário na casa dos trinta anos, torna-se vítima de uma onda inexplicável de distúrbios de perda de memória em sua cidade e é forçado a enfrentar sua grave amnésia através de um novo tratamento experimental.

a house. two people. there are. they hover. over the ground. without moving. in one direction. a meteorite. it diminishes them. they deteriorate. meteorites. meteors. Meteora. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Seventeen monologues about a gym that doesn't exist, about a film that was never shot, about the actors of the film, about the words that made them true characters.

Seventeen monologues about a gym that doesn't exist, about a film that was never shot, about the actors of the film, about the words that made them true characters.

Seventeen monologues about a gym that doesn't exist, about a film that was never shot, about the actors of the film, about the words that made them true characters.

Seventeen monologues about a gym that doesn't exist, about a film that was never shot, about the actors of the film, about the words that made them true characters.

A teenage girl believes she never dreams, or otherwise doesn't remember any of her dreams; apparently, they are too dull to be worth keeping. But in the course of a single day at home, time will pass like a dream. And when she opens her eyes, she will find that her waking life, outside the world of her empty dream state, is a much lovelier place to be in.

Parece um passeio comum a uma praia remota. Quatro jovens mulheres e seu cão pastor Froso aproveitam o calor do sol e a brisa do mar. Elas brincam, dançam e cantam. O dia dá lugar a brincadeiras inocentes e de menina. A casa nacolina paira sobre elas, e elas fogem para lá e se perguntam quem seriam seus ocupantes. O riso delas é pontuado por lágrimas. As lágrimas são lavadas pela imaginação. Até que o dia chega ao fim e elas começam a arrumar suas coisas para irem embora. Despretensiosamente misteriosa e profundamente nostálgica, Winona guarda o seu doce segredo amargo até o fim.

Parece um passeio comum a uma praia remota. Quatro jovens mulheres e seu cão pastor Froso aproveitam o calor do sol e a brisa do mar. Elas brincam, dançam e cantam. O dia dá lugar a brincadeiras inocentes e de menina. A casa nacolina paira sobre elas, e elas fogem para lá e se perguntam quem seriam seus ocupantes. O riso delas é pontuado por lágrimas. As lágrimas são lavadas pela imaginação. Até que o dia chega ao fim e elas começam a arrumar suas coisas para irem embora. Despretensiosamente misteriosa e profundamente nostálgica, Winona guarda o seu doce segredo amargo até o fim.

Parece um passeio comum a uma praia remota. Quatro jovens mulheres e seu cão pastor Froso aproveitam o calor do sol e a brisa do mar. Elas brincam, dançam e cantam. O dia dá lugar a brincadeiras inocentes e de menina. A casa nacolina paira sobre elas, e elas fogem para lá e se perguntam quem seriam seus ocupantes. O riso delas é pontuado por lágrimas. As lágrimas são lavadas pela imaginação. Até que o dia chega ao fim e elas começam a arrumar suas coisas para irem embora. Despretensiosamente misteriosa e profundamente nostálgica, Winona guarda o seu doce segredo amargo até o fim.

Nick and Nora invite Angelos, an escort, for the night. Once upon a time, Nick and Nora fell in love at first sight; like all couples that fall in love at first sight, now they're almost happy. (IMDb)

Curta Metragem de Vasilis Kekatos

Um filme antológico na forma de longa-metragem de horror. Estes segmentos assustadores são recheados de personagens conhecidos como mitos, tradições e contos populares. Criadas para dar lógica aos medos mais sombrios da humanidade, essas histórias lançaram as bases para o que hoje conhecemos como gênero de terror.

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.

Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.

The first sexual experience of a sensitive 16-year-old girl becomes the starting point of an emotional journey towards adulthood and reconciliation through music and its power.

The first sexual experience of a sensitive 16-year-old girl becomes the starting point of an emotional journey towards adulthood and reconciliation through music and its power.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.

On a very hot day in Athens, Stephanos, the eldest brother, is working out while his mother is planning a day out. After another intense argument, Stephanos is left alone to take care of his two younger siblings as well as Lucy, the family's sick dog. The day is spent pleasantly between summery laziness, pizzas, teenage flirting and phone calls that remain unanswered.

An aged , above any suspicion, bourgeois by the nickname 'The Master', lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is an illicit trade in antiquities, a loan shark and a black market trader of antiquities. The 'Master' has two henchmen to do his 'dirty work', Mercury and John, both of committing a fatal mistake: while Mercury falls for the daughter of 'Master', John is obsessed with a prostitute. Both of them , as 'sentimentalists', must be whacked.

An aged , above any suspicion, bourgeois by the nickname 'The Master', lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is an illicit trade in antiquities, a loan shark and a black market trader of antiquities. The 'Master' has two henchmen to do his 'dirty work', Mercury and John, both of committing a fatal mistake: while Mercury falls for the daughter of 'Master', John is obsessed with a prostitute. Both of them , as 'sentimentalists', must be whacked.

The wild beast is preparing to leave the sewers behind and its roar echoes through the rooms of the apartment building.

A self-destructive filmmaker trying to regain his dignity

The Long Island is the place of our self-exile. The Nightmare is our Father. Speaking and Hearing is the Nightmare’s gift to all of us. Silence is our gift to him. The Family protects us from Infection and Taxidermists. The soil will be the point of return. Tomorrow is today. Today is the 13th day of the Blue Year 37.

The Long Island is the place of our self-exile. The Nightmare is our Father. Speaking and Hearing is the Nightmare’s gift to all of us. Silence is our gift to him. The Family protects us from Infection and Taxidermists. The soil will be the point of return. Tomorrow is today. Today is the 13th day of the Blue Year 37.

O pai, a mãe e os três filhos vivem numa casa nos subúrbios da cidade. À volta dela, existe uma cerca alta que as crianças nunca passaram. São educadas, entretidas e exercitadas pelos pais, sem qualquer influência do exterior. Acreditam que os aviões são brinquedos e que os zombies são pequenas flores amarelas. O único elemento com acesso à família é Christina, que visita regularmente a casa para apaziguar os impulsos sexuais do primogénito. Toda a família gosta dela, sobretudo a filha mais velha. Um dia, Christina oferece-lhe uma bandolete com pedras e pede-lhe algo em troca.

Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.

Vassilis Galis is a young man having trouble growing up. His mother was diagnosed with cancer when he was a boy but she got better. Subsequently her vision of life was changed radically and she left her family to embark on new adventures. Vassilis hasn’t seen her since but her absence has left a telling mark on the whole family. His father hardly speaks anymore and his brother, now a famous movie star, is afraid of emotion. Vassilis has problems reaching out to other people and the only steadfast part of his life through the years has been his dog, Roz. When Vassilis meets eleven and a half year old Snezana, a strong friendship begins to develop and Vassilis starts descending ever deeper back into his childhood realm.

Vassilis Galis is a young man having trouble growing up. His mother was diagnosed with cancer when he was a boy but she got better. Subsequently her vision of life was changed radically and she left her family to embark on new adventures. Vassilis hasn’t seen her since but her absence has left a telling mark on the whole family. His father hardly speaks anymore and his brother, now a famous movie star, is afraid of emotion. Vassilis has problems reaching out to other people and the only steadfast part of his life through the years has been his dog, Roz. When Vassilis meets eleven and a half year old Snezana, a strong friendship begins to develop and Vassilis starts descending ever deeper back into his childhood realm.

Vassilis Galis is a young man having trouble growing up. His mother was diagnosed with cancer when he was a boy but she got better. Subsequently her vision of life was changed radically and she left her family to embark on new adventures. Vassilis hasn’t seen her since but her absence has left a telling mark on the whole family. His father hardly speaks anymore and his brother, now a famous movie star, is afraid of emotion. Vassilis has problems reaching out to other people and the only steadfast part of his life through the years has been his dog, Roz. When Vassilis meets eleven and a half year old Snezana, a strong friendship begins to develop and Vassilis starts descending ever deeper back into his childhood realm.

Bill is an accountant at a film company. His boss is out for the weekend so the office is under his commands. Nadia is an aspiring young film director who thinks she is a genious. They don't know each other. Through them we see the lives of their family and friends. Nick a gay former child TV star, Alexander s fat boy who wears dead singers T-shirts, Monique a french albino with burned legs, Anna the "slut" and others...Bill does not understand that he is getting older. He is fond of little girls especially his 14 year old neighbor Jenny. Nadia on the other hand seem to be attracted only by artsy fartsy men.