Abderrahmane Sissako

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

To be somewhere precise yet stand nowhere at all, to embody one’s convictions, yet never miss the essential, to rise up and be present at the critical moment, to bear witness to a world waiting to tell itself and be retold, to come and go, both at once, abandoning reckless speed, but rather gently touching the human soul with images, with whispered words, the cracks in the wall of life: this is the choreography masterfully created in the film Beyond Territories, Valerie Osouf’s portrait of the world acclaimed filmmaker Abderrahmane Sissako.

Em julho de 2012, não muito longe da antiga cidade de Timbuktu no Mali, o orgulhoso pastor de gado Kidane (Ibrahim Ahmed aka Pino) vive pacificamente nas dunas com sua esposa Satima (Toulou Kiki), sua filha Toya (Layla walet Mohamed), e seu filho Issan (Mehdi Mohamed Ag) , seu pequeno pastor com doze anos. Na cidade, as pessoas sofrem, impotentes, com o regime de terror imposto pelos jihadistas determinados a controlar sua fé. Música, risos, cigarros, mesmo o futebol, foram proibidos. As mulheres tornaram-se sombrias, mas resistem com dignidade. Todos os dias, os novos tribunais improvisados emitem sentenças trágicas e absurdas. Kidane e sua família, por morarem nas dunas, estão sendo poupados do caos que reina em Timbuktu. Mas seu destino mudará abruptamente.

Em julho de 2012, não muito longe da antiga cidade de Timbuktu no Mali, o orgulhoso pastor de gado Kidane (Ibrahim Ahmed aka Pino) vive pacificamente nas dunas com sua esposa Satima (Toulou Kiki), sua filha Toya (Layla walet Mohamed), e seu filho Issan (Mehdi Mohamed Ag) , seu pequeno pastor com doze anos. Na cidade, as pessoas sofrem, impotentes, com o regime de terror imposto pelos jihadistas determinados a controlar sua fé. Música, risos, cigarros, mesmo o futebol, foram proibidos. As mulheres tornaram-se sombrias, mas resistem com dignidade. Todos os dias, os novos tribunais improvisados emitem sentenças trágicas e absurdas. Kidane e sua família, por morarem nas dunas, estão sendo poupados do caos que reina em Timbuktu. Mas seu destino mudará abruptamente.

In Ethiopia, in a small country school, children have a lesson on the Millennium Development Goals. But one of the pupils, Tiya, is distracted, she doesn’t listen. She is staring at the window. Outside, some children are playing rugby... Abderrahmane Sissako's contribution to 8 (2008).

20 short films about human rights.

8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.

Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Little Men is about two sympathetic losers with good looks, about groovy tunes and dry slapstick humour.

Two boys (Tamir & Amine) awake one morning to find that their father has abandoned their family. Shocked, they begin to misbehave. While surreptitiously watching a movie, they think they see their father speaking to them and steal the film to examine the frames. Their mother (Achta) eventually despairs and sends them to Koranic school. Unhappy, they plan their escape until the eldest boy falls in love with a deaf girl (Khalil).

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: He can no longer speak the local dialect, and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: He can no longer speak the local dialect, and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning

La Vie Sur Terre (Life on Earth) is a 1998 Malian comedy/drama film written and directed by, and starring Abderrahmane Sissako. It is set in the village of Sokolo and depicts rural life on the eve of the 21st century. Runtime is 61 minutes.The film earned Sissako awards at the Fribourg International Film Festival, the Ouagadougou Panafrican Film and Television Festival and the San Francisco International Film Festival.

La Vie Sur Terre (Life on Earth) is a 1998 Malian comedy/drama film written and directed by, and starring Abderrahmane Sissako. It is set in the village of Sokolo and depicts rural life on the eve of the 21st century. Runtime is 61 minutes.The film earned Sissako awards at the Fribourg International Film Festival, the Ouagadougou Panafrican Film and Television Festival and the San Francisco International Film Festival.

La Vie Sur Terre (Life on Earth) is a 1998 Malian comedy/drama film written and directed by, and starring Abderrahmane Sissako. It is set in the village of Sokolo and depicts rural life on the eve of the 21st century. Runtime is 61 minutes.The film earned Sissako awards at the Fribourg International Film Festival, the Ouagadougou Panafrican Film and Television Festival and the San Francisco International Film Festival.

Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.

Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.

Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.

A series of six dramatic shorts, each from a different African country and all on the broad theme of "love in Africa."

A series of six dramatic shorts, each from a different African country and all on the broad theme of "love in Africa."

Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.

Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.

Ahmed brinca de guerra com seus amigos enquanto espera seu pai voltar para casa.

Ahmed brinca de guerra com seus amigos enquanto espera seu pai voltar para casa.