William Larsson

Fredrik Mack (Gustav Ranft) owns a glue factory in northern Norway and Ove Rolandsen (Eugen Skjønberg), a great womanizer, works for him. When Mack's beautiful daughter Elise (Lilla Bye) returns from studies, Ove immediately flirts with her.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

It's the beginning of the 1800s. A feud between the people of Ödemo and Rävgården has been going on since the dawn of time and now it's worse than ever.

About loaner Master Samuel, based on a writings by Hjalmar Bergman

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

The mayor's son Mauritz Fristedt, has become deeply in love with the baker's daughter Dunungen. The mayor applauds the engagement because Mauritz will to try to foist a pack of worthless shares from his uncle to his father-in-law.

A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.

A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.

Thomas Graal's a screenwriter, is very fond of his secretary Bessie. Overtaken by a kiss by Thomas she runs away. In his misfortune Thomas writes a screenplay inspired by Bessie. But she has not been really honest with him. 31 minutes of runtime are missing and presumed lost.

Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.

The stepson of a landed family wishes to go off to university.

Hämnaren (The Avenger) was made in 1915, and was rediscovered in Berlin in 2001. It begins with a woman named Ester, who is reading a letter and crying. The letter says that a man named George won't marry her, because he knows his father would never allow him to marry a Jewish woman. Ester dies of childbirth, and possibly a broken heart. Her suitor Jakob takes care of her son, who is named Josef, and sends George a note, accusing him of causing her death

The story is wacky – a gypsy is cursed by her father, so that she has to deny her illegitimate son in order for him to have a successful life. She gives him to a well-to-do lady who has lost her own child. Later, he has grown up to be a politician who wants to become the foreign minister. He doesn’t know that his real mother is the famous Madame de Thebes, the fortuneteller who all politicians make sure to visit! This information falls into the hands of a rival, who tries to use it to ruin his career. Meanwhile, the rival’s attractive daughter is attacked by a ruffian and needs to be rescued… There are a lot of striking images in this film. You can see the beauty of them even if the state of the print is far from perfect. The Norwegian actress Ragna Wettergreen gives a haunting performance as Madame de Thebes, with wisdom and regret – and quite a few melodramatic gestures. Understatement was not the norm in those days.

During a duck hunt the local land owner Brandt has told his ranger and his son to sit in a boat and collect ducks as they are shot down. When Brandt's dog gets in the water he commands the ranger's son to jump in the water to save the dog but the boy drowns.

Maria lives with her alcoholic father in a cabin the forest. One day she is seduced by the local land owner after he gives her a ring. Shortly afterwards he decides to leave the area and travel to Stockholm.

O marido de Ingeborg Hold abre uma mercearia e a vida está cada vez melhor para eles e seus três filhos. Mas seu marido adoece e morre. Ingeborg tenta manter o negócio, mas por causa de seus empregados inúteis e preguiçosos, ela acaba tendo de fechá-lo. Sem dinheiro, ela tem de se mudar para um abrigo e é separado de seus filhos. As crianças são levadas por pais adotivos, mas ela precisa conseguir alguma forma de sair do abrigo e reaver seus filhos.

Directed by Mauritz Stiller.

A motherless child has a tumultuous existence, but she eventually becomes a famous international opera singer. Past and present meet when she performs in her original home town.