Uirá dos Reis

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

João, mounted on his horse Cruzeiro, and in the company of a wanderer named Tahiel, enters a large city in northeastern Brazil to face the one who took his lands and ended up with his family.

Dayse believes that the miracle, like love, is a rare phenomenon, but it exists everywhere. After ending a relationship, contracting covid and moving out in the middle of the pandemic, only an event inexplicable by natural laws can save her.

Favor não subir de roupa.

Num futuro recente, Bacurau, um povoado do sertão de Pernambuco, some misteriosamente do mapa. Quando uma série de assassinatos inexplicáveis começam a acontecer, os moradores da cidade tentam reagir. Mas como se defender de um inimigo desconhecido e implacável?

Em 2016, um impeachment destitui a primeira mulher eleita presidente no Brasil. Em um contexto político distópico, Marcela usa o serviço de teletransporte do celular para deixar o país, mas seu plano é controle.

Após a morte súbita de sua mulher, Ezequiel vive triste e resignado em solidão. Até que um curioso fenômeno acontece e muda por completo a cor do seu destino.

Um homem solitário vaga perdido por uma cidade pós-apocalíptica.

Eugenio, Joaquim e João são três jovens que, através de uma rádio clandestina, lutam pela liberdade e planejam a revolução, invadindo as transmissões das rádios de Fortaleza e atacando a base constitutiva da sociedade burguesa e capitalista. Quando começam a incomodar os poderosos, suas vidas passam a correr risco, ao mesmo tempo em que surge uma bela e misteriosa ouvinte que deseja se unir a eles e pode transformar os seus destinos.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Two mothers, three children, a car. Fifteen minutes of travel from an apparently uncontrollable chaos to extreme relaxation, in a situation that oscillates in the indiscernible limits between documentary and fiction.

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis