András Fricsay

Margarethe von Trotta's TV movie focuses on a woman whose life is destroyed by her addiction to alcohol. Angela Rinser is a happy mother of two children and quite successful in her job as bilingual secretary. The sudden death of her husband changes everything. She starts drinking and loses her job. Her children Felicitas and Max try to hush up their social decline for years because they don't want to live in a foster home.

Yes. It's a Chuck Berry song. You picked it up in your search engine covering Berry's obit.

Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist.

In the not too distant future, in the year 1999: In Germany, payment may only be made by credit card, which leads to many people purchasing things they cannot pay for. A nasty debt collector from the almighty central bank sends out employees to take back unpaid goods from customers by force. A girl who calls herself Egon is also forced to work for this evil person. In the process, she meets nice Mike, with whom she falls in love. Soon Mike and his friend, the aging playboy Löffler, are in a turbulent adventure to free Egon from the clutches of the bank villain.

Tommy and Mike, again without a job and without money, are looking for a public toilet at a motor show.

While on an automobile tour of Italy with his mother, the German publisher in this story has an accident which results in her death. He decides to stay and look for work in Italy, rather than return to his responsibilities, and takes a job working on a construction site. His co-workers are similarly displaced men: one is a Greek exile, the other a Basque terrorist. The elaborate house they are working on is to be the home of a wealthy local man.

In the middle of the night, Nicki is once again haunted by intense feelings that she can't explain. A visit to the doctor is supposed to help and behold: the more he pokes around in the past, the more a connection between Nicki and her twin sister Karen becomes apparent. In addition, the two ladies are each pursued by a menacing man who roams the streets late at night with a knife and seems to be in cahoots with an oddball antiques dealer.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’