Vilis Daudziņš

Looking for solutions of an efficient management and creation significant ideas to flourish Latvian culture and education, leaders of the Riga Latvian Society decide to hold the 1st Latvian Singing Festival back in 1873. At the beginning there are only four of them, very soon others – Latvians, Baltic Germans and Russians get involved, both influential persons of the society, countless volunteers from Riga, Livonia and Courland governorates. Also twenty-year-old Anna, whose desire to sing is stronger, despite the obstacles she has like any woman in that period of history, finds a way to join. By singing she finds self-confidence, power, joy of life and sense of unity, flourishing together with the Latvian nation, becoming a symbol of woman’s freedom.

Agate – the older and well-off partner of Matiss and the mother of ten-year-old Paula dies unexpectedly. It becomes a devastating blow for Paula and a grand possibility for Matiss, a charming novice bailiff assistant and a cheating boyfriend, to “upgrade” his social status with Agates splendid house. Matiss and Paula are stuck together in order to find the only relative left – the missing brother of Agate. This journey leaves irreversible footprints on both of them.

An investigative journalist decides to take down an esoteric organization based around the implementation of structured water.

An investigative journalist decides to take down an esoteric organization based around the implementation of structured water.

A runaway bride, a young peasant, mysterious illusionists and a manic investigator become entwined in a murderous affair at a Baltic German baron's manor.

Depois de testemunhar sua mãe sendo baleada pelas tropas invasoras alemãs, Arturs, de 16 anos, junto com seu pai, decide se alistar nos batalhões de fuzileiros da Letônia do Exército Imperial Russo, na esperança de se vingar e encontrar a glória. Arturs continua a lutar na Primeira Guerra Mundial na Frente Oriental, onde perde seu pai e irmão, e rapidamente se desilude. Eventualmente, Arturs retorna ao seu recém-proclamado país para lutar na Guerra da Independência da Letônia e começar tudo do zero.

When the daughter of the Sun and the Moon is stolen, desperate parents call people to get their baby back. Helpers are given only three days: if at that time, the Sun's daughter will not be found, she will lose her strength and become an ordinary girl. A journey of danger and adventure, which teaches everyone not only to be brave and resourceful, but also helpful. The Latvian animated film is based on folklore motifs.

Riga in the 30s. Wild bohemian lifestyle is the name of the game for every artist worth his salt. A young man from the countryside, poor but ambitious, arrives in the capital, where he hopes to make his mark in the artistic circles. What follows is a string of events, fraught with confusion and misunderstanding, hilarious and heart-warming at the same time.

A family film based on the book Bille by Vizma Belševica. An extraordinary, lonely yet spiritually strong little girl attempts to comprehend the adult world, which in her eyes is very contradictory, and to prove her own value despite the ignorance and lack of appreciation by her family in late 1930s. Bille tries to find an escape in her vivid imagination.

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

After losing his leg, ex-cop Didzis focuses on training his three beloved police dogs. His estranged wife Jana, a doctor at the local sports school, seeks romantic fulfilment with Roberts, a 17-year-old student and a promising swimmer. After a secret randez-vous, Jana hits a rabid wild boar with her car and eventually spreads the virus to Didzis’ dogs. The accident ignites dark suspicion and jealousy in Didzis. Busy with finding and punishing Jana’s secret lover, Didzis overlooks the ever-growing strangeness and aggression in his now infected dogs. Just as the love triangle becomes toxic, the dogs escape and threaten the local town. Facing both personal and professional fiasco, Didzis decides to take matter in his own hands.

Based on a Soviet propaganda story about Young Pioneer (the Soviet equivalent of a Boy Scout) Morozov, who denounced his father to Stalin’s secret police and was in turn killed by his family. His life exemplified the duty of all good Soviet citizens to become informers, at any expense. In our film, 75 years later, we call him little Janis. He is a Pioneer who lives on the Soviet collective farm “Dawn”. His father is an enemy of the farm (and the Soviet system) and plots against it. Little Janis betrays his father; his father takes revenge upon his son. Who then in this old Soviet tale is good and who is bad? This film reveals that a distorted brain is always dangerous. Even today.

Based on true events that took place in the vicinity of Līvāni in 1945 after Soviet re-occupation. Catholic priest Antons Juhņevičs, serving in the Vanagi parish, hid local men on church premises so they could escape conscription into the Red Army. Finding himself in conflict with the ruling power due to his convictions, he was forced to take a radical step.

The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.

Geneva, Switzerland 1935. The first European Basketball Championship is about to take place. Basketball is still an unknown sport in Europe, and the national teams are meeting for the first time. Each wants the honour of being the first champion. Meanwhile in Latvia, coach Baumanis is convinced that he can assemble a team and take it to Geneva. He quickly learns however, that triumph and defeat are also part of the game. Coach Baumanis faces many difficulties, as well as unexpected help from those closest to him.

After recovering from an overseas mission, Krists Lapins moves into a quiet neighbourhood in Riga. His hopes for a new, peaceful life are disrupted when an unexpected visitor arrives one night. Krists soon finds himself in a swirl of events involving a mysterious blonde, a wannabe private detective, a bankrupt millionaire, and a rigorous cop. In this witty portrayal of modern Latvian society the absurd meets the comic and nothing is what it seems.

Following an ad in the paper, Ilze leaves her native village to become an actress. She fails the audition, but her pride won't let her return home. Her boyfriend is skeptical about her ambitions, so he comes after her to bring her back home. The plot evolves around their relationship as they pretend and lie to each other trying to end the emotional stand-off.

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

Baltic German Alice Fon Trota returns to her father’s manor in Latvia in 1919 to sell it and start new life. She meets hostile resistance of local workers and discovers she has been lured into a carefully tailored trap, organized by demonic lawyer Emil Keizerling, decadent underground organization “Viva La Mort” and its necrophile leader Zība Falstaff. They plan to manipulate with Alice, who has received good education in France but also had suffered severe physical traumas. Knowing that her deepest desire is to carry out her unexpressed creative talents, they want to use her potential for their demoniacal purposes that regard the future of Latvia. While escaping the clutches of her “helpers”, she meets Latvian silent cinema enthusiasts. While being with them and working with cinematograph, she learns to use it as a self-discovery tool, as a weapon of confrontation of her enemies and as a way to transform her healing wounds by creating masterpiece of silent cinema.