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Eleonora Abbagnato

Nascimento : 1978-06-30, Palermo, Sicily, Italy

História

Eleonora Abbagnato began her dance training in 1990 at the Formation à l'Académie Princesse Grâce in Monaco and then at the Centre Rosella Hightower in Cannes. In 1992 she entered l'Ecole de danse de l'Opéra. She entered the POB Corps de ballet in 1996, became coryphée in 1999, sujet in 2000 and finally in 2001 première danseuse. Repertoire includes: Princess Florine in Sleeping Beauty, Gamzatti in La Bayadère, Henriette and Clémence in Raymonda(Nureyev), Marie in Clavigo, Esmeralda in Notre-Dame de Paris (Petit), Titania in Midsummer Nights Dream, title role in Sylvia (Neumeier), Anastasia in Ivan le terrible (Grigorovitch), Myrtha in Giselle and Kitri in Don Quixote (Nureyev).

Perfil

Filmes

La Traviata

Choreographer

Mario Martone signs direction and scenes of this new film-work of Verdi's masterpiece. On the podium of the Orchestra of the Teatro dell'opera in Rome its musical director, maestro Daniele Gatti. the new set-up of the opera to a libretto by Francesco Maria Piave is embellished with costumes by Anna Biagiotti and photography by Pasquale Mari.

The 350th Anniversary Inaugural Gala

The year 2019 marks the 350th year of existence of the Opéra de Paris, and the Opéra national is staging two exceptional shows at the Palais Garnier in the form of an inaugural gala. Under the direction of Dan Ettinger, the principal dancers, soloists, corps de ballet and orchestra of the Opéra national de Paris will perform extracts from famous ballets as well as some of the most popular opera arias. Soprano Sonya Yoncheva, tenor Bryan Hymel and baritone Ludovic Tézier are among the headliners. A magical experience!

Paris Opera Ballet: Tribute to Jerome Robbins 2

2nd Woman (Fancy Free)

Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.

Daphnis et Chloé

In his third collaboration with the Paris Opera Ballet in 2014, Benjamin Millepied created a daring new choreography of Ravel’s Daphnis et Chloé that was a triumph with audiences and critics alike. The brilliant premiere production at Paris’s Opéra Bastille starred the captivating pair of Étoile dancers Hervé Moreau (Daphnis) and Aurélie Dupont (Chloé) joined by Eleonora Abbagnato (Lycénion), and featured a stage design by Daniel Buren!

Proust ou les Intermittences du cœur

Albertine

Ballet en deux actes et treize tableaux du chorég. This is a live recording of a performance at Paris Garnier in 2007. Petit's earlier production for the Ballet de Marseille used more realistic stage sets, but the current Paris version has minimal stage sets. Also, the costumes were redesigned. Roland Petit created a ballet based on "In Search of Lost Time" for the Ballet de Marseille in the 1970s. Petit's intention was not to make a faithful adaptation of the novel, but to capture its flavour and convey, through a number of selected scenes, the narrator's incessant fluctuations between happiness and torment. The highlights are the series of poetical pas de deux.

7 and 8

Eleonora Scavuzzo

6th January 1975, in an infant nursery in Palermo (Italy), for a mysterious reason, a male nurse exchanges the labels of baby number 7 and 8. Thirty-one years later Tommaso (7) and Daniele (8) meet each other by accident.