M. J. Radhakrishnan

After a village in Kerala is flooded, A scheduled caste family which doesn't get any support from government migrates to Himachal Pradesh in search of job & struggles to adapt in a totally new environment conditions.

Olu is the tale of a girl who gets gang raped and sunk to the bottom of the backwaters where she can mysteriously survive and live for the next nine months -until she delivers her ‘baby from rape’.

Achu, a runaway orphan, comes back looking for his childhood sweetheart, Vishnupriya. But time has changed her and he will have to win her over. Meanwhile Vishnupriya, now a rebel activist, is looking for answers from her past, has her own demons to deals with and has no time for love. So, Achu joins her in her quest to find answers from her past.

Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.

Vishwasapoorvam Mansoor is a story that will discuss about the current socio-political scenario prevailing in the society

With a distinct filmography that faithfully depicts a cross-section of the Kerala society on celluloid during his active years, KG George is a master filmmaker and a true genius. This documentary is an attempt to analyse the relevance of his major films and understand his unique personality

A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

Três jovens, Haris, um pintor gay; Vishnu, um jogador rural de kabaddi e sua amiga Sia, uma ativista que se recusa a obedecer às normas dominantes de feminilidade, lutam para encontrar espaço e felicidade em uma cidade indiana conservadora.

Docu-fiction about the harmful effects caused by the unethical use of the pesticide Endosulfan in the plantations of Kasaragode district of Kerala.

It is the directorial debut film of Farook Abdulrahiman, startting Manoj K. Jayan, Tirtha Murbadkar, Vaiga, Kalamandalam Sivan Namboodiri, Babu Namboothiri, Manju Pillai, and Mani Pattambi in lead roles. It is about Kathakali actor, Kunhiraman and his relationship with his Guru, Asan. Gradually over the years, as the actor gets popular he becomes arrogant and takes to confronting with his Guru.

Set in a remote village in Malabar, the film portrays the struggles of a young Muslim woman and her family who is ostracised by society for questioning a religious speech

Film tells the story of marginalized people in Kerala through the life of a father who working as a temporary cleaner and his Eight year old son.

Ottaal (The Trap) is an adaptation of one of Anton Chekhov's timeless works, Vanka. A story of the 18th century, but one that has traveled the time and space to be retold in the present day at a small village in the South of India. Kuttappayi, a young boy, is miserable and desperate as he starts writing a letter to his grandfather from a place, dim and dark. Kuttappayi's recollections takes us to the picturesque locations of Kuttanad, where Kuttappayi and his grandpa, Valiyappachayi, are arriving with their ducks. The village is as pleasant as it can be even though what brings him there is the death of his dearest parents. With hope and freedom, he is about to start his life afresh among the village's letter-less postman, the nameless dog, the rich lad, Tinku and many more.

Alice: A True Story is a psychological film scripted and Directed by Anil Das

A burglar, in a bid to rob an old man, gets stranded on an island with a little boy, a beautiful deaf-mute girl and a man with a stutter. Marooned, he is now forced to confront living with nature.

Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.

The film revolves around Ajayan (Dileep), a clerk at a lawyer's office. His son Deepu goes missing and the story follows the father's journey in search of his son.

Ten stories meet at Kerala Cafe.

Sarojini is a housewife who loves taking up social causes. When she comes across Praveen, who is involved in financial wrongdoings, she strives to save the gullible villagers from his influence.

Set in the second decade of the 20th century, this is a story of cinema entering villages of Kerala. The protagonist Diwakaran gets attracted to the new machine, bioscope, at an exhibition by Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu.

A drama centered around four women at Kuttanad in Kerala's Alappuzha district.

After committing a murder, two men get trapped on a remote island at midnight. They try to escape from there by seeking help from Vasu's family, the only inhabitants of the island.

Kiran is mortified by her growing lesbian desire for the effervescent Delilah in an idyllic Indian village where arranged marriage is the only acceptable form of coupling.

Parinamam tackles the age-old issue of loneliness and redundancy among the aged. In parallel, Balakrishna Marar faces callous treatment from his family after his retirement.

Vivek and Vani are Kerala Government Secretariat employees. They live in a modest house on the outskirts of Thiruvananthapuram together with their two children. Their lives change when under threat of job losses, the trade unions call for strike action whilst at the same time their landlord asks them to leave.

Kannaki is a film directed by Jayaraj. It is loosely based on Shakespeare story of Antony & Cleopatra

Vidyadharan is a bank employee, who loses his job due to his wife's extravagant lifestyle. He tries to flee from the city but finds peace and happiness among slum dwellers!

Karunam movie revolves around Chackochan and Chechamma who are an elderly couple living on a plantation in southern India awaiting a visit from their son and his family, who now live in the USA.

Bobby (Suresh Gopi) comes to high range as a helicopter pilot working for Robinson (Sreenivasan). His job is to spray copper sulphate (thurisu) in the rubber plantations. He is assisted by Venkidi (Manian Pillai Raju), Nandu and Indrans. He faced some resistance from local workers like Chako (Jagathy Sreekumar). He also had to save Robinson from many troubles.

Murali Nair directs this political satire about a man arrested for stealing who becomes charged with a number of murders he didn’t commit.

Kaliyattam is an adaptation of Shakespeare's 'Othello' seen through the local traditional theatrical dance form of Theyyam, in which the actor takes on a divine dimension - as soon as he wears his mask and his headgear.

The plot revolves around the personal turmoil faced by the parents of a child who is to be inducted into priesthood by a monastery. The boy who led a carefree life until now has been identified as having a deep understanding of religious philosophy and scriptures at a very young age by the priests of a holy shrine. They request the family to induct the boy into priesthood to which the grandfather of the boy readily agrees to; for, he himself had aspirations of joining the shrine in the past. The parents, though not keen on parting with their child are compelled to give in on the basis of the word given by the elders of the family.

A mysterious girl, Pennu, comes to a quiet village, creating a strange chasm among the male folks, breaking marriages and old friendships.