Mutsuo Tanji

Several high-school friends spend their final summer together indulging in sex and leisure; their halcyon days are soon coming to an end.

Second part of an epic drama of war and its effects upon human beings, follows the fortunes of the Godai family from 1935 through Japan's invasion of China. Based on the novels by Jumpei Gomikawa, who also penned The Human Condition.

2 years ago, Kumi broke up with Shuhei and decided to forget everything about him for good. However, after being told that her younger sister, Junko, fall in love with a man and is currently living with him. She was determined to discover who was the man who won her sister's heart. But what will happen when she found out that the man in question is Shuhei, her first love?

Two Japanese men help a Vietnam war deserter escape from Japan for Sweden. They plan to fund the escape by selling LSD pills. After word of the drug deal gets spread around they find themselves fending off rival gangs.

Yūji, fresh out of prison on parole, meets a stranger named Nao that asks for his assistance...

Keisuke Godai, head of the upstart Godai family conglomerate, plans to strengthen ties with the hardliners in the Kwantung Army as they plan military expansion into Manchuria.

Wild young people kidnap a wealthy woman and she becomes attracted to one of them. When she tells the man that she is the mistress of a religious leader, he and his posse make plans to rob her partner.

Tsutomu Yoshioka, a Tokyo office worker, is enaged to Mariko, the niece of his company's president. But Yoshioka has a crisis of consence when he remembers his former love Mitsu, a rural girl whom he met and later left while in college. Shimako, a former friend, persuades Yoshioka to meet with Mitsu while she plots to blackmail Yoshioka by photographing the meeting to break up Mariko and Yoshioka.

A once-powerful yakuza clan disbands as a result of a police crackdown, but one small group refuses to bow to police pressure, and launches a campaign to take over Tokyo's drug, prostitution, and gambling rackets. Someone wants to stop them. Is it the police? Rival gang members? Or is it an entirely new group of hired killers who will stop at nothing to gain complete control of Tokyo's "bloody territories"?

A tale of wannabe yakuza youths. When not cooking up scams with his buddies, Zenkichi develops a crush on Taro's disgusted sister, Miki. But soon the young hoods run afoul of their underworld idols when they rob the wrong gang, led by brutal boss Konno. When Zenkichi's pals start to bite the dust, he hooks up with a more traditional yakuza, Tetsugoro, to retaliate.

Um engenheiro de Tóquio chega a uma ilha tropical assolada pela seca para perfurar um poço para abastecer uma usina de açúcar próxima. Ele conhece a família Futori, odiada pelos habitantes locais por quebrar os costumes religiosos.

Rokurō starts a part-time job on a fishing boat, but the ship has an engine failure in the middle of the Pacific Ocean.

Two years before they collaborated on the immortal Stray Cat Rock series, director Yasuharu Hasebe and soon-to-be-superstar Meiko Kaji teamed up for this potent gangster flick that also stars the great Joe Shishido (Branded to Kill) and Akira Kobayashi, who would shortly thereafter star in Kinji Fukasaku's epic yakuza series Battles Without Honor and Humanity. Emerging from a stint in prison, yakuza lieutenant Sumukawa (Kobayashi) discovers that his gang has disintegrated while he was in the pen. An ambitious type, he quickly hooks up with another gang (led by Shishido) who promise him a prominent position if he helps them deal with a rival family. But bonds are made to be broken, and pledges of loyalty soon give way to competition, betrayal and — naturally — retaliation. Tough, cynical and violent, Retaliation cheerfully overturns romanticized notions of underworld honour, paving the way for Fukusaku's revisionist yakuza pictures of the 1970s.

Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.

One morning, Kazue is nearly knocked over by a motorbike in front of an instrument store, breaking all the records that she was carrying. The two connect instantly and begin seeing each other every day. However, Iwai, Yukio’s foster parent, is concerned - Yukio had been exposed to the atomic bomb when he was four years old and had been showing symptoms of atomic radiation, hospitalizing him in the Genbaku Atomic Bomb Survivor’s Hospital. Unfortunately, nobody knows when the symptoms may return. When Yukio passes out from anemia during work, he decides to part with Kazue. A couple of days later, Yukio tells her of his destiny at the Hiroshima Peace Memorial Park, but Kazue passionately encourages him.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

The fictional land "Pandora" sends three (numbered) graduates of the "National Gambling University" to Japan. You should defeat the master player Kôji, control the international casino empire and use the profits to achieve world domination. But Japan's most famous left hand knows what to do.

Sadako, cursed by generations before her and neglected by her common-law husband, falls prey to a brutal home intruder. But rather than become a victim, she forges a path to her own awakening.

A boy who dreams of being a yakuza leader is reformed by a girl's pure love for him.

É entre os camponeses, os miseráveis, os gângsteres e as prostitutas que Imamura encontra terreno fértil. A Mulher Inseto (Nippon Konchuki, 1963), uma de suas obras-primas do período, conta a história de uma camponesa que, tal como um inseto, faz sua escalada da sobrevivência. Tendo atravessado, desde a adolescência, a violência sexual e o incesto, sua mudança para a cidade grande a conduz diretamente à prostituição e afinal ao controle de um bordel, onde passa a praticar toda sorte de atos vis, dos quais antes fora vítima. O tratamento do personagem como uma verdadeira heroína é absolutamente novo no até então moralista cinema japonês. E as tomadas de estilo documental, nas quais freqüentemente o personagem principal não passa de uma cabeça perdida na multidão das ruas da cidade, propõem exatamente o oposto das imagens de estúdio da Shochiku, sempre bem compostas e nítidas.

A romance of a pure young lover and his heartbreak for a beautiful older woman.

One summer day, the chief monk of the Hojuin Temple dies. Harumichi rushes back to town hearing about his brother's death and requests for a grand funeral. He had been unwilling to take over the family business and had chosen a life as a middle school teacher far away from home, but considering the circumstances, he changes his mind. As the new chief of Hojuin, Harumichi scrambles around day after day for donations. He has kept strictly to the straight and narrow, until he passes a bicycle race track where the sounds of cheering fans induce him into a new way of life...

Tajima Yumi, in grade school, is overjoyed when her father says they are moving to an apartment in a big city. But the beautiful home she had imagined is in a slum area called Samurai Village, a little settlement, where people live from hand to mouth. To make things worse, a group of vagrants descends on the already crowded ragpickers' village. The sight depresses and saddens little Yumi, but when her father gives up drinking, it makes up for everything in her eyes, and when he runs past liquor shops to avoid temptation, Yumi's laughter rings out merrily again. A unique social drama depicting the growth of a new generation that confronts the world of adults full of vanity in the image of a girl living in poverty.

Jiro, a young yakuza, and Mami, a diplomat’s daughter, are two young lovers from different worlds. Having met by accident, they soon discover a new life together. But their love is ill-fated. Mami's family will not accept her choice, while leading an honest life seems like an unattainable goal for Jiro. Can there be anything else but a tragic ending?

Joe, Okita, and Serizawa hear of the armed robbery of a truck carrying one billion eighty million yen's worth of Mint paper. Knowing that the thugs will now need a counterfeiter to make the bogus bills, they each decide to cash in on it by selling them the idea that they need Sakamoto, the best counterfeiter in Japan. A seesaw game unfolds between the three men as each tries to outdo the other two in handing over Sakamoto for one million yen to Hijikata, the big boss, who intends to make counterfeit money with the stolen paper. A little belatedly, they realize it needs their combined forces to outwit Hijikata and they raid his place together. Outnumbered, however, they are thrown into a basement room and the gas is turned on. Certain death stares them in the face, but the three men are not ones to take things lying down....

The action takes place in a city where you can live on only 100 yen a day. The "General", who indulged in gambling with his henchmen all day, he was running his business and hitting him with a taxi turned out to be a trifle for him. A unique work, filled with tears and laughter, praising the beautiful human love that blooms at the bottom of life, focused on the genius “General” who lives in the troubled city of Kamagasaki.

Set in Kawaguchi in the early 60s, this simple story chronicles the lives of foundry families and one girl's dreams of higher education.

One of Sayuri Yoshinaga's first leading roles.

Um jovem opta por trabalhar como cuidador de porcos da Yakuza ao invés de arranjar um emprego normal. Contrariado pela namorada e acreditando ser apenas um trabalho como outro qualquer, acaba sendo jogado em meio ao mundo do crime.

The film tells the story of four orphans living in an impoverished mining town. An adaptation of a best-selling book based on the diary of a ten-year-old zainichi (ethnic Korean Japanese) girl, it was one of the first films to deal with the subject of zainichi identity and struggles in Japan.

Eric, an American, arrives at an international tourist hotel and loses his self-defense Colt. It was Kudaira, a beggar, who discovered it, and immediately sold it to Matsuko - another pauper. Soon, the weapon that moves from hand to hand, becomes a tool of many crimes.

Set in post-war Japan, a group of five, four men and one woman, gathers in the basement of a butcher shop to dig up a cache of morphine buried during the war. A grimly humorous tale of twisted relationships as one by one each of the group is eliminated.

The final part of the trilogy. It is about a younger brother, Suekichi. He learned well the lessons that life taught his older brothers. Therefore, he does not think to study, but strives for material well-being alone. To make a career, he ruthlessly pushes his colleagues with his elbows. For him, the high ideals of trade union activists Jiro and Saburo are an example of old-fashioned thinking, naive behavior.