Patrick Lapp

"The White Horse Inn" is the last Berlin operetta of the interwar period. It is a hybrd work that mixes Tyrolean folklore, Viennese operetta, Berlin cabaret tunes and dance hall numbers. The arrival of eccentric clients from the south of France breaks the serenity of a charming establishment in the Austrian Alps, and the once civilised party becomes a free-for-all.

An isolated farm in a remote part of the Jura region: this is where Pauline and Alex are living in complete self-sufficient harmony with nature. Their life project is sealed by their love, their ideals and their work. The couple is now ready to take the step towards total independence, and start producing their own electricity. The arrival of Samuel, who comes to install a wind turbine, deeply troubles Pauline, upsetting their relationship and their values.

David Miller (Patrick Lapp) está há muitos anos tratando de um câncer no cérebro e, cansado, escolhe a eutanásia como uma saída. Para tanto ele procura a ajuda de uma organização que presta eutanásia assistida, com a qual marca dia, horário e local. Esperanza (Carmen Maura) é enviada para ajudá-lo, em um hotel projetado por David e sua falecida esposa, décadas atrás, que hoje está decadente. Lá eles conversam sobre o passado de ambos, ao mesmo tempo em que preparam a morte dele.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.

January 1957, in a small town in the French-speaking part of Switzerland. A middle-class house, the home of two sisters, Clara and Thérèse, whose characters could not be more different. After their father is institutionalized, the two women take over the family business, which specializes in precision optics. One day, the floor of the music room collapses after being ravaged by termites. Karoly, a Hungarian refugeee and jack-of-all-trades, is hired to repair the damage. The Hungarian's presence causes ripples in the seemingly unchangeable life of the two sisters...

Merette is a pretty child, living within a patrician, strictly Calvinist family in the Switzerland of the 19th century. She is happy, until her mother dies, and Merette blames God, and gives up her religion. Her family turns against her, the villagers reject her, and her priest drives her into isolation.