Gracinda Nave

Follows the story of Johannes Van Almeida, a painter who was just released from prison and wants to start his life anew, but everything changes when art dealer Antoinette, and international actress in crisis Florence Lizz, get in his way.

No qual Xerazade narra como a desolação invadiu os homens: “Oh venturoso Rei, fui sabedora de que uma juíza aflita chorará em lugar de ditar a sua sentença, na noite de três luares. Um assassino em fuga vagueará pelas terras interiores durante mais de quarenta dias e teletransportar-se-à para fugir à Guarda, sonhando com putas e perdizes. Lembrando-se de uma oliveira milenar, uma vaca ferida dirá o que tiver a dizer e que é bem triste! Moradores de um prédio dos subúrbio salvarão papagaios e mijarão em elevadores, rodeados por mortos e fantasmas; mas também por um cão que…”. E vendo despontar a manhã, Xerazade calou-se.

Rampa tells the story of Matilde, a middle-class prep-school girl in Lisbon, who finds herself at a social crossroads when her parents divorce and she’s forced to move to a low-income neighbourhood across town. It is just after Summer holiday when Matilde, young and insecure, returns to school – but after the Summer troublesome events, everything feels different.

Numa sociedade controlada pelo sistema, uma variante nazi do Big Brother que limita a privacidade dos cidadãos, João tem um encontro amoroso com uma judia perseguida. O inspetor que vigia o par descobre que a mulher era Leonor… a sua neta.

The story of Carla and Marta, the daughter who is seriously ill. In Barcelona, Carla discovers a special mirror, which is an open door to the past: it keeps the reflection for several years instead of returning it immediately. Carla offers her daughter the mirror and it will change their lives forever.

Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.

Francisco, comporta-te! Bem sei que hoje fazes 30 anos, que é Carnaval e que vestes de cowboy na festa do colégio, cercado por miúdos que detestas.

Ivo and Tomás, two volunteered vagabonds who feed their souls of ways and great winds. From time to time they make a stop, renting their arms, the necessary time to be able to, provisions made, get on the road again. Once, with the sun at its peak and a burning heat, the desert that they are crossing seems to be endless. They run out of water… in the end of the day, without any strength left, they let themselves fall near to a dried bush. Ivo stares at the moon rising, as is saying farewell and whispering verses of a poem of a lawyer they’ve met before. It is then that he sees a far light. They set their way to that house…

Vanitas is the new feature film by veteran Portuguese director Paulo Rocha. With a script by Regina Guimarães, the film brings together actresses Isabel Ruth and Joana Bárcia – no strangers to this director's world – in a story about a depressed fashion designer who falls in love with the daughter of one her tailors.

A man who grew up in the '80s, in the midst of the pirate-radio scene, works now at a big, modern radio station, but still holds on to his love for a mysterious female lead singer of a now long gone band. He sets himself to start another pirate-radio, now unlegalized, trying to find her.

Ricardo Monteiro is a successful television producer specialising in reality shows. He is 45 years old and he has just received an award for the most popular television show of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. If he does not come home that same evening to celebrate her birthday he will never see her again. Ricardo is distracted by business or other commitments and he is too late for the last flight home. When he returns next day the apartment is empty and Leonor is gone. At first Ricardo thinks that it is only a game, but there are no phone calls or messages and after a while he gets worried and starts looking for her. He discovers that she has quit school without telling him and that she has lost all contact with her old friends. She has become a complete stranger.

Nourished by pain, it corrupts the intimacy of a couple that has lost their child. The mother, Gracinda Nave, refuses to speak, transforming their home in a place of mourning where memories shatter lovers, ruining the relation with her husband, José Airosa. The original soundtrack is, in itself, a metaphor of how one can escape from grief, in a way the final duet symbolizes everything unsaid between them, through out the film. The director, Margarida Leitão, employs the symbology of a balloon, a puzzle and some drawings to create little flashes of a past filled with colour. A chromatic journey across the instants of another life when we could hear a child's laughter and the house was filled with joy. But now, the house is an empty space where the two lovers drift apart.

A boy in Lisbon, in this Lisbon in permanent renovation.

Ana and Pedro married two years ago and now they live in “Sunset Neighborhood”. Pedro works outside town. Ana stays alone most of the time. One of her neighbors, an old lady keeps on asking her: “Maybe you could get pregnant?” “Maybe…” she answers. After going through medical exams, Ana makes her choice.

The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.

Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.

An ice-cream seller lusts after the female employees in his shop.