The massacre tragedy was carried out by the PKI against 62 youths who were members of the Ansor Youth Movement. They were killed by poisoning before being thrown into a well.
In 2018, the headquarters of the Mobile Brigade Command Headquarters in Kelapa Dua, Depok was attacked by terrorists who tried to break into the detention center and killed 5 members of Densus 88.
Sule (Sule) desperately asks his mother’s (Yati Surachman) permission to work in Malaysia. He wants to have a lot of money, in order to recapture Iis (Selvi Kitty), his girlfriend who is lulled by Cecep (Uus). This situation is exploited by Mang Saswi (Sas Widjanarko), his uncle. Sasly takes Sule to Hong Kong with Sule's money from selling his rice fields. Sule is accidentally involved with the local gang led by Bos K (Iwa K), for trying to help Aline (Pamela Bowie), daughter of an Indonesian businessman (George Rudy). He must also deal with The Bag (Volland Volt), the assassin charged by Aline’s father.
Four best friends have different reasons for being single. However, problems arise when they desire to have a lover causing the beautiful friendship turned into a rivalry.
Three bestfriends, Dey (Derry Neo), Ba’on (G-voiz) and Sabun (Dallas Pratama) live in a marginalised area in Jakarta where there harbors no certainty, safety and much less harmony. Dey is fearless. Ba’on is unable to speak because his tongue is cut. Sabun is a pious young man. Dey and Ba’on sell marijuana produced by Prof (Norman Akyuwen) while Sabun sells pirated DVDs without recognizing that his merchandise are illegal. One day Ba’on helps Mel (Tya Arifin) who almost gets robbed. Incidentally for a long time he has been admiring her, a tv star-cum-model. But Mel’s encounter with Ba’on and friends entails some serious consequences because the robber has another, more dangerous goal.
The story of Coboy Junior, joining the biggest singing and dance competition in Indonesia. Their toughest rivals, Superboyz, and The Bangs, continue to bring down Coboy Junior by all means.
The film weaves around four stories all happening in metropolitan, dehumanizing Jakarta. In fact that is what it is about, the quality of meaninglessness of living in a place that turns people into zombies. In a place where meaning must be invented, these kids turn into the only place, the only culture they see worth tuning into: television and movies. Thus they slowly degenerate into the abysmal reinterpretation in a sort of sickening anti-hero, anti-social statements that goes absurdly a wrong turn.
