Pesquisar

Mark Ricche

Nascimento : 1970-08-07, Maryland, USA

História

Mark Ricche's film career spans over 25 years as a writer. director, actor, producer, educator and now owner and CEO of Cryptic Pictures. In 2010, his work captured the attention of the American Film Institute which subsequently screened eight of his short subjects. Mark's industry experience includes associations with Sony Pictures, Dimension Films and Disney. He won the 1995 Wisconsin Screenwriters Forum Screenplay festival with his original screenplay "Point Imperial" and is a two-time Mid-Atlantic region Best Actor recipient. He currently resides in suburban Maryland.

Perfil

Filmes

The Circle Of Death

Eccentric late night podcast host, Deadman Dave, takes listeners on a dark journey through four macabre tales of obsession, madness and murder. In 3 To Go, four friends reunite once a year to compare grim stories of untimely death - but, one of them holds an even darker secret. In The Hunter and the Hunted, a rural loner obsessed with catching a monster in the woods chooses his ideal bait - but, the bait has other ideas. In The Dirty Hands Man, a day at the lake on a sprawling estate becomes a waking nightmare for a young man who discovers more about himself than his new girlfriend’s family and friends. And in Perfect, a plastic surgeon meets a mysterious young woman who leads him to an old friend - who's trapped in a house of horrors of his own making. Step inside the Circle Of Death...if you dare.

3 To Go

Second Unit Director

4 friends meet to continue an annual tradition.

3 To Go

Mike Williamson

4 friends meet to continue an annual tradition.

Mortal Remains

Director

A docu-thriller that sets out to uncover the details surrounding the life, brief career, and mysterious death of horror filmmaker Karl Atticus, referred to by some as the forgotten father of the "slasher movie." The film includes interviews with various horror historians and aficionados including Eduardo Sanchez (director of The Blair Witch Project), who posits the question: Why, for 40 years, has the story of Karl Atticus been all but eradicated from the annals of cinema history?