Executive Producer
In this offbeat whodunit, Bernie Langille sets out to uncover the truth around the strange circumstances of his grandfather (and namesake) Bernie Langille's death. Fifty years after the fact and with the help of meticulous miniatures, he reconstructs the bizarre events of one fateful winter night in 1968. What exactly precipitated the shocking discovery of Grandpa Bernie, dead in his own bed? The labyrinthian task of answering this question leads Bernie to interview a range of characters, including forensic experts and family members. Along the way, Bernie entertains increasingly absurd scenarios—including the possible involvement of Agent Orange. His obsessive musings, just like the constantly changing miniature sets, never get old. Ultimately the film provides a quirky yet thoughtful look at family ties, the fault lines of memory and intergenerational trauma.
Researcher
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.
Editor
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.
Writer
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.
Director
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.
Director
Timely and wise, this feature documentary explores the state of prostitution laws in Canada. Buying Sex captures the complexity of the issue by listening to the frequently conflicting voices of sex workers, policy-makers, lawyers and even the male buyers who make their claim for why prostitution is good for society. Examining the realities in Sweden and New Zealand, and respecting the differences of ideology as Canada works its way toward an uneasy consensus, the film challenges us to think for ourselves and offers a gripping and invaluable account of just what is at stake for all of us.
Director
Conviction envisions alternatives to prison through the eyes of women behind bars and those fighting on the front lines of the decarceration movement. Not another ‘broken prison’ film, this collaboration is a ‘broken society’ film—an ambitious and inspired re-build of our community, from the inside out. The film compels viewers to examine why we imprison the most vulnerable among us, and at what cost.
