The Dark Angel is a sensual and stylish adaptation of Uncle Silas - Sheridan le Fanu’s influential Victorian literary masterpiece. Sheltered heiress Maud Ruthyn's troubles begin when her father hires a new governess. Madame De La Rougierre (played with considerable relish by Jane Lapotaire) is a cruel, brandy-swigging schemer with an unhealthy interest in Maud's inheritance and an approach to childcare that would make Mary Poppins faint. When Maud's father dies she has no choice but to live with her wicked uncle Silas, who will inherit the family fortune if Maud should happen to die. This is not a recipe for domestic bliss and soon it seems that everyone but Maud is either bad, mad, or both.
Pauline, Petrova, and Posy Fossil live with Sylvia Brown, their guardian. Money is tight and as the story opens, three boarders - a garage owner, a retired English professor, and a dance teacher - come to stay. Theo Dane, the dance teacher, has the girls accepted at her school by the formidable Madame, and the three go on the stage to help raise money. Each discovers her talents - Pauline as an actress, Petrova in fixing engines, and Posy as a dancer.
O filme é uma adaptação da autobiografia de Quentin Crisp, um verdadeiro ícone gay da Inglaterra no século vinte, um homem que enfrentou com extraordinaria coragem o preconceito e as perseguições ao longo de décadas, sempre com inteligência e senso de humor. O filme é estrelado por John Hurt. Crisp era um pária mesmo entre os gays. Era efeminado, afeminado e não fazia questão alguma de esconder isso. Pelo contrário, dizia que essa era a sua "contribuição para a causa", décadas antes de se falar de "visibilidade gay". Foi um homem muito a frente de seu tempo, que jamais abdicou de seu direito de ser e de existir, ainda que tenha sofrido por conta disso. Ele foi um transgressor, no melhor sentido da palavra, e isso numa época em que a homossexualidade ainda dava cadeia na Inglaterra.
An out of work man must take his son to a school poetry competition while accompanied by his friendly neighbours, of which, he's not too secretly been having an affair with the wife.
Filmed partly in Urdu, Insaaf (Injustice) is a public information film aimed at Britain’s South Asian communities. Produced through the Central Office of Information for the Race Relations Board, it seeks to inform viewers of the Board’s role in enforcing the 1968 Race Relations Act, via the story of a young man denied a job he is qualified for due to the racism of his potential employer.
