Constantin Popescu Jr.
Nascimento : 1973-12-15, Bucarest, Romania
Writer
É uma bela manhã ensolarada em Bucareste quando Tudor vai para o parque local com sua filha Maria de 5 anos e seu filho Ilie de 7 anos. Quando ele volta sua atenção para as crianças depois de fazer alguns telefonemas, ele não consegue encontrar sua filha mais nova.
Director
É uma bela manhã ensolarada em Bucareste quando Tudor vai para o parque local com sua filha Maria de 5 anos e seu filho Ilie de 7 anos. Quando ele volta sua atenção para as crianças depois de fazer alguns telefonemas, ele não consegue encontrar sua filha mais nova.
Director
Velicanu considers himself a fulfilled person. He's got money, a new villa, married a younger woman and has a son from a previous marriage. Before the holidays he has to leave everything in order, but things start to get complicated. The crisis at the end of the day make him wonder whatever he is indeed a happy, fulfilled person...
Producer
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
Writer
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
Director
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
Producer
Oxygen is a free re-enactment of a real case: a man who tried to cross the Danube illegally using an oxygen cylinder, to escape the communist Romania.
Director
Estudo bem-humorado sobre o “jeitinho” romeno, filme mostra a criatividade com que pessoas comuns desenvolvem esquemas para contornar os absurdos do cotidiano, como na época do regime de Nicolae Ceausescu (1918-1989). Uma fina ironia percorre seis episódios que baseiam-se em “lendas urbanas” do período que o governo comunista romeno definia como “a era do ouro”.
Director
A heartwarming comedy of parents using a computer for the first time to communicate with their son in America.
Director
Two railroad men are living in a lineman's cabin. One night a stranger has an accident on the beach nearby that will change everything.
Writer
Writer
A man stands outside an apartment building, lighting a cigarette. He goes inside. As he rings the bell at the 4th floor, a woman answers and lets him in. The alarm rings. The man and woman wake up. He takes out the garbage. She makes breakfast. After breakfast, he packs his suitcase and leaves. He goes outside. He lights a cigarette. After that, he goes inside. He rings the bell at the 8th floor. A woman answers and lets him in. A week later. The alarm rings. The man and woman wake up. He takes out the garbage. She prepares him breakfast. He goes back inside and rings the bell at the 4th floor... Written by Bram Wijngaarden
Director
A man stands outside an apartment building, lighting a cigarette. He goes inside. As he rings the bell at the 4th floor, a woman answers and lets him in. The alarm rings. The man and woman wake up. He takes out the garbage. She makes breakfast. After breakfast, he packs his suitcase and leaves. He goes outside. He lights a cigarette. After that, he goes inside. He rings the bell at the 8th floor. A woman answers and lets him in. A week later. The alarm rings. The man and woman wake up. He takes out the garbage. She prepares him breakfast. He goes back inside and rings the bell at the 4th floor... Written by Bram Wijngaarden
Producer
In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier where both their relationship and humanity are severely tested.