Mina Shum

During the COVID-19 pandemic, nine filmmakers isolating in different parts of the world join to make a film. A 9-chapter anthology, this collection created by women filmmakers from South Africa, Germany, Spain, China, United States, and across Canada. ONE(NINE) is a timeless multiversal experience of what it means to find connection in a time of isolation, orchestrated by one of Canada's most fierce and prolific indie filmmakers, Ingrid Veniger.

A devoted wife and mother is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

A devoted wife and mother is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

A devoted wife and mother is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

In her first feature-length documentary, director Mina Shum (Double Happiness) takes a penetrating look at the Sir George Williams University riot of February 1969, when a protest against institutional racism snowballed into a 14-day student occupation at the Montreal university.

A woman wants to clear her father's name. He supposedly murdered a shady night club owner. She starts looking for clues about the real perpetrator, but finds more than she bargained for.

Twelve-year-old Mindy Ho inexpertly tries Taoist magic to fix her single mother's financial situation and seemingly hopeless romantic prospects.

Twelve-year-old Mindy Ho inexpertly tries Taoist magic to fix her single mother's financial situation and seemingly hopeless romantic prospects.

Twelve-year-old Mindy Ho inexpertly tries Taoist magic to fix her single mother's financial situation and seemingly hopeless romantic prospects.

Five years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is happy keeping things the way they are. Nadine feels re-energized when a new bank customer starts flirting with her. But things take a more significant turn in Nadine and Jonathan's life when a masked robber comes into the bank and following the heist, takes Nadine hostage. As her assailant takes Nadine along on his personal mission, Jonathan follows a hunch of his own on the identity of the robber in an effort to try and win back Nadine, who was slowly drifting away from him.

Five years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is happy keeping things the way they are. Nadine feels re-energized when a new bank customer starts flirting with her. But things take a more significant turn in Nadine and Jonathan's life when a masked robber comes into the bank and following the heist, takes Nadine hostage. As her assailant takes Nadine along on his personal mission, Jonathan follows a hunch of his own on the identity of the robber in an effort to try and win back Nadine, who was slowly drifting away from him.

Jade Li is a feisty, 20-something Chinese Canadian, trying to achieve that happy medium between giving in to her parent's wishes and fulfilling her own needs and desires - double happiness. Naturally, something's got to give and when love beckons in the shape of Mark, a white university student, the facade of the perfect Chinese daughter begins to slip.

Jade Li is a feisty, 20-something Chinese Canadian, trying to achieve that happy medium between giving in to her parent's wishes and fulfilling her own needs and desires - double happiness. Naturally, something's got to give and when love beckons in the shape of Mark, a white university student, the facade of the perfect Chinese daughter begins to slip.

The film, which is based on a successful Japanese television series Pure Soul from YTV, follows two forty-somethings who feel perfectly content living their lives free of commitment until they meet one another. When a tragic unforeseen incident turns their lives upside down, can they still be perfect for each other?

The film, which is based on a successful Japanese television series Pure Soul from YTV, follows two forty-somethings who feel perfectly content living their lives free of commitment until they meet one another. When a tragic unforeseen incident turns their lives upside down, can they still be perfect for each other?