Ellen Widmann

In this Swiss film noir a private investigator stumbles onto a case involving blackmail and an oversexed, under-aged girl. He finds the girl, and, tragically, becomes involved with her.

Karl Tellenbach, called "Dällebach Kari", was one of Bern’s legendary characters at the beginning of the 20th century. Born with a strong hare lip which left him disfigured and gave his voice a peculiarl nasal tone, he devoted his entire life trying to get people to laugh with him instead of at him. Ultimately, his despairing at ever becoming accepted as a fellow man coupled with unrequited love made his life tragic, culminating in his suicide at age 54. His jokes are still well known today.

In exploring sex offenses, particularly against children, this film reveals the inner workings of the Zurich police and INTERPOL as they pursue persons accused of voyeurism, rape, fetishism, sadism, and masochism. After the criminals are arrested and given psychological tests, they may be sentenced to an institution or undergo brain surgery (with their consent) in order to be rehabilitated.

The further trials of the wealthy Emmentaler farming family Jowäger and their neighbors, adapted from the second volume of the 19th century novel by Jeremias Gotthelf (pen-name of Albert Bitzius).

The trials of the wealthy Emmentaler farming family Jowäger, adapted from the 19th century novel of the same name by Jeremias Gotthelf (pen-name of Albert Bitzius), which was also published in two parts.

Widowed baker Zürrer has to raise his three children, who all turn out to be disappointments to him in various ways.

Venice Film Festival 1940

A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.

Assassino em série na cidade alemã de Düsseldorf põe a polícia e a população em estado de alerta máximo. Obra-prima do Expressionismo Alemão, M já serviu de inspiração para inúmeros outros cineastas, que veem em sua fotografia uma maneira própria de fazer cinema, seguindo os passos de outras obras do Expressionismo, como Nosferatu, este de 1922.