Jeff Koons

Miles Morales retorna para o próximo capítulo da saga do Aranhaverso, uma aventura épica que transportará o Homem-Aranha em tempo integral e amigável do bairro do Brooklyn através do Multiverso para unir forças com Gwen Stacy e uma nova equipe de Homens-Aranha para enfrentar com um vilão mais poderoso do que qualquer coisa que eles já encontraram.

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.

The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.

A chronicle of the personal life and public career of the celebrated artist and filmmaker Julian Schnabel.

Com acesso a espaços restritos ao grande público e declarações de artistas como Marina Abramovic, Blurred Lines fragmenta o complexo ecossistema da economia mundial do mundo da arte em todas as suas camadas.

Director Francesco Carrozzini creates an intimate portrait of his mother, Franca Sozzani, the legendary editor-in-chief of Italian Vogue. From the ridiculous to the sublime, her astonishing but often controversial magazine covers have not only broken the rules but also set the high bar for fashion, art and commerce over the past 25 years. From the legendary “Black Issue" and the “Plastic Surgery issue" Sozzani remains deeply committed to exploring subject matter off limits to most in order to shake up the status quo and occasionally redefine the concept of beauty.

Itália, 1970. Uma legião crescente de guerreiros inofensivos começa uma luta pacífica pela liberdade sexual através da pornografia, abalando e chocando as autoridades religiosas e as instituições políticas conservadoras. Eles são irônicos, felizes, loucos. Eles são sonhadores, defensores da comunhão definitiva entre corpo e alma. Mas eles foram censurados e humilhados. Eles foram maltratados e presos por exigirem alto um novo renascimento cultural.

In Jeff Koons: Diary of a Seducer, imagine... enters the world of one of the most successful, controversial and downright odd artists of our time. His gigantic balloon dogs and even bigger flower puppies have become iconic. His rows of virgin vacuum cleaners are frozen in time. Michael Jackson sits with his pet chimp Bubbles. But the artist who celebrates the commonplace and has put sex and the banal on a pedestal has mined some dark territory. Is it playtime or parental guidance recommended? As Jeff Koons' first retrospective takes over the Whitney Museum in New York and the Pompidou in Paris, imagine... asks what lies beneath the shiny surfaces.

The Whitney Museum of American Art presented the landmark exhibition Jeff Koons: A Retrospective from June 27 to October 19, 2014. It was the largest, most comprehensive survey of Koons’s art ever assembled, spanning four decades of his career and displaying 145 works from every series, including 13 new pieces exhibited publicly for the first time. The film follows Koons and Whitney Chief Curator, Scott Rothkopf, who conceived and organized the show, through every gallery of the exhibition. In addition, insightful interviews with Adam Weinberg, the Whitney’s Director, Robert Storr, Dean Emeritus of the Yale School of Art, and Michelle Kuo, Editor of Artforum, help to deepen the investigation into Koon’s art and process.

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

Harvey Milk era considerado dessa forma pelas multidões que o acompanhavam. Capaz de cativar e mobilizar massas, Harvey foi o primeiro homossexual assumido a ser eleito a um cargo público nos Estados Unidos. E também uma das figuras mais vibrantes da política conservadora americana.

Annie Leibovitz nasceu em 1949 e é um dos mais famosos nomes no ramo da fotografia das três últimas décadas. A fotógrafa possui um trabalho variado: retrata o glamour e a riqueza em revistas de moda e comportamento ao mesmo tempo em que capta os horrores praticados nos combates militares. O documentário traz para o cinema um acompanhamento do processo de sua criação artística, como o momento no set de filmagem de “Maria Antonieta”, as experiências da carreira, sua relação com a fama e a vida em família.

Ric Burns unearths rarely seen footage and offers keen observations on the life and artistic influence of Andy Warhol. [Made for and aired on PBS's American Masters series.]

Twenty-five years ago the renowned art critic Robert Hughes made The Shock of the New, a landmark television series that examined the key cultural movement of the 20th Century. Now he's back to look at more recent work and to question whether modern art can still be shocking in its originality and understanding. In an age of media saturation it's perhaps even harder to tell what is good art and what is bad; but Hughes cuts through the marketing and the hype to reveal the art that is vital and will last; the art which defines the times in which we live. In a film which features interviews with David Hockney, Paula Rego, Jeff Koons and Sean Scully, Robert Hughes makes the case that painting, drawing, and the search for beauty matter more than ever before.

Jeff Koons is undoubtedly the most famously controversial artist today. Whereas American public institutions and art collectors have long ago established him as Warhol's successor, many Europeans still consider him only as an opportunist and an attention seeker. With his combination of the great entrepreneur's positive thinking, the freedom of Pop Art and perfectionism comparable to the masters of the past, Jeff Koons has undeniably succeeded in promoting the strategies of avant garde to the public. This film shows how he has reinvented his role as an artist into a media personality and the status his works enjoy with a number of collectors who have allowed him to fulfil his dreams. Through his art, his own words and those of friends, this world of seduction and reflection also reveals glimpses of a darker and a gloomier side.

Art in an Age of Mass Culture pulls back the curtain and takes a look at the cultural climate surrounding MoMA's now famed exhibition, "High and Low: High Art and Popular Culture". Opening in the fall of 1990, the show placed a spotlight on the rapid merging of consumerism and the artistic avant-garde. Curated by Kirk Varnedoe and Adam Gopnik and featuring work from artists such as Jeff Koons and Roy Lichtenstein, "High and Low" ignites conversations of mass culture and our society's ever-changing relationship with the arts.