John Archer

For the people of Berneray in the Outer Hebrides, life changed dramatically in the latter part of the last century. Traditional ways of life eroded, and many families were forced to move away. Drawing on rare 8mm colour film of Berneray, directors Andy MacKinnon and Kirsty MacDonald offer a bridge between the contemporary citizens and their not-so-distant past. The result is a film of great emotion that speaks to the importance of place and the resilience of culture through language, song and memories.

In 1993, 16-year-old Brandon Lee enrolled at Bearsden Academy, a secondary school in a well-to-do suburb of Glasgow, Scotland. What followed over the next two years would become the stuff of legend.

The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.

Siri wakes to find herself trapped inside a brutalist candy-coloured dreamhouse. Despite the cutesy decor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras, 24/7. Presiding over the group is an authoritarian diva who speaks entirely with the voice of Kenneth Clark from the 1960s BBC series Civilisation. As she forces the women to go head-to-head in a series of demeaning tasks, Siri, with the help of fellow inmate Alexa, starts subverting the rules and soon reveals the sinister truth that underpins their world.

Faye Bowers is the host of a low-rent paranormal activity show, a master of trickery and pretence, but she is desperate to be taken seriously as a journalist. When she learns that the show is to be axed, she is determined to go out with a bang.

Thirty years after his BBC film The Auden Landscape, director Adam Low returns to the poet and his work. Following surges of popularity - from featuring in Four Weddings And A Funeral to being the poet New Yorkers turned to after 9/11 - Low reveals how Auden’s poetry helps us to better understand the 21st century and the tumultuous political climate in which we now live.

Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.

Seventy years ago this month, the bombing of Hiroshima showed the appalling destructive power of the atomic bomb. Mark Cousins's bold documentary looks at death in the atomic age, but life too. Using only archive film and a new musical score by the band Mogwai, the film shows us an impressionistic kaleidoscope of our nuclear times - protest marches, Cold War sabre-rattling, Chernobyl and Fukishima - but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.

Alex Norton discovers how showbusiness has handled the portrayal of the Scottish accent. For over 100 years audiences have struggled to understand our braw brogue: silent Harry Lauder films attempted an accent in the captions, and in Hollywood's golden era , everyone wanted to paint their tonsils tartan- but as examples from Katharine Hepburn, Orson Welles and Richard Chamberlain show, they couldnae. Then Disney made Brave and proved that it disnae have to be all bad!

Tracing the history and influence of Iranian cinema and its filmmakers.

Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.

Portrait of Canadian singer, songwriter, poet and novelist Leonard Cohen, recorded in 1988. Featuring interviews, archive film and live performances from London, Paris, Athens and New York.