Ewa Wencel

Uma jornalista em um casamento morno precisa escolher entre o marido distante, mas amoroso, e um ex-namorado mais jovem que reaparece em sua vida.

"Everyone Knows Better" is an original comedy, reminiscent of the best New York tradition of independent cinema, dominated by warm relations and close intimacy with the characters. It tells about the adventures of a couple who try to put together one family from two different worlds. Other people's children, ex-spouses, pushy grandparents. Will Ania and Grzesiek survive the invasion of their families who are trying to fight the relationship of their adult children?

Wladyslaw Strzeminski (Boguslaw Linda), é um artista de vanguarda polonês que superou todas as dificuldades impostas pelas suas deficiências físicas - ele não possuía uma perna e um braço - e também o ódio, a indiferença e a crueldade dispensados pelas autoridades de seu país para se tornar um dos artistas mais reverenciados do século vinte, uma verdadeira força da natureza que batalhou com todas as forças para construir seu progressista e genial programa artístico.

Poland's winning battle against Soviet Russia as seen through the eyes of two young protagonists, Ola and Jan. She is a Warsaw cabaret dancer, while he is a cavalry officer and poet who believes in socialist ideals

A story of a married couple with two children, whose housing problems, the man's infidelity and the woman's fragility lead the family to destruction.

Five troubled lawmen pursue a brutal criminal.

From his birth in 1895 through his death in 1968, the gifted Polish naïve artist Nikifor Krynicki (AKA Epifan Drowniak) lived his life and eked out a career cloaked in obscurity - a casualty of both his extreme speech impediment (his tongue was attached to the roof of his mouth, which prompted others to errantly tag him as mentally incapacitated) and his self-effacing decision to sell the majority of his work for meager amounts. Krzysztof Krauze's biopic My Nikifor travels to the tail end of Krynicki's (Krystyna Feldman) life journey, dramatizing the period that surrounded his interaction with the well-established artist Marian Wlosinski (Roman Gancarczyk).

The film is based on the well-known, translated into many languages novel of writer Pawel Huelle. It is imbued with nostalgia and the atmosphere of mystery story of a group of children, fascinated by the figure of a man named David Weiser.

Set in 1989, story of a man beat up by two ex-policemen and left to die in a dump. Marek survives after the brain surgery that leaves him amnesiac. He wanders through the city, sought by his assilant, who fear he will testify against them. Marek finds shelter with a girlfriend/bagwoman who supposedly was once queen of Paris boulevards. Marek regains his memory just as the villains are to get him. He eventually returns to his house only to find out that his mother died and his brother left for Australia.

In the cinema "Liberty" there takes place a screening of the film " Daybreak". The screening is interrupted by an unusual event. Actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur...

One of the passengers on a ship carrying Poles on a cruise in December 1981 is a dissident high school teacher sent abroad by Solidarity. He is under surveillance of the secret police, anxious to get their hands on the info that he is carrying. When the ship is in the middle of the Baltic sea, martial law is declared and the ship is militarized. The captain announces he will turn and return the home port. Many anguished passengers put the life vests on and jump into the sea, where they are picked up by two German ships. The teacher, however, decides to return to Poland and continue the struggle for freedom.

Adaptation of novel by Eliza Orzeszkowa. The film is set in 1886 in Lithuania, is spins around a conflict between Bohatyrowicz family and aristocrat family in Korczyn. Against the background of the social and family disputes was shown topic of love between Justyna Orzelska, niece of Benedykt Korczyński, and Jan Bohatyrowicz. Will their love be strong enough to break the mental barrier that separates the world of Bohatyrowicz from the world of Korczyński?