Vedat Türkali

Story of a village girl who transforms into a courageous and independent woman and fights against the men who destroyed her life.

Workers' struggle for justice triggers the political tensions of the period.

In "The Bride with the Black Veil" (1975), director Süreyya Duru continues to focus on social issues, exposing problems of the peasants and feodal relations.

The story of a sheepman who is torn between his wife and traditions in his rural village.

This is the story of a young man who rebels against the Agha class in the east side of Turkey. The story ends with the death of the young man, who remains in the little girl he left an orphan and the young widow who is passionately in love with him.

This is the story of a young man who rebels against the Agha class in the east side of Turkey. The story ends with the death of the young man, who remains in the little girl he left an orphan and the young widow who is passionately in love with him.

Murat, who started a legal battle against his relatives with lawyer Sevil, begins to question his life in this process.

Dealing with the workers of a factory, Ertem Göreç's Karanlikta Uyananlar stands as the first "strike film" of the Turkish cinema.

A story of 7 prisoners who sentenced to death for kidnapping a rich businessman's daughter.

A young engineer Aydin comes back to his hometown after years of education as a mining engineer in London. Selami, the owner of a local wood company, paid for Aydin's tuition and expenses. Selami has been the employer of Aydin's father in the past and he acts like an elder brother for Aydin, offers him to stay in his house. Aydin starts to work as the chief engineer in one of the mining companies. From the first day onwards Aydin opposes the mining practices imposed by Rahmi Bey, the owner of the company. He orders to stop mining and deals with the wood sellers who sell low-quality wood used to support the thrusts in the mines.

Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.

An example of social realism in Turkish cinema, the story follows a bus driver who takes side of the poor who has been exploited by a rich man with the promise of making new apartments for them.

Leyla and Tarik are trying to attain each other, but misfortune follows them.