Judit Schell

2123. Faced with diminishing resources, the human race can only survive through a trade-off: at the age of 50, every citizen is gradually turned into a tree. When Stefan discovers that his beloved wife Nora has voluntarily signed up for donating her own body before her time, he sets out on an adventurous journey to save her at all costs.

Após a Primeira Guerra Mundial, Tomas, um jovem fotógrafo de cadáveres, chega a uma pequena vila húngara acompanhado de Anna, uma menina órfã. Logo, ele se sente aprisionado no local, com as estranhas sombras, os barulhos noturnos, a hostilidade dos habitantes e as mortes suspeitas. Com a ajuda de Anna e convencido da existência de fantasmas, Tomas decide investigar uma maneira de libertá-los.

A coming-of-age story set in the contemporary Hungarian countryside, where teenager soloist Dávid decides to stand up for Nóri, 13, a cellist in their youth orchestra who is having a suspiciously close relationship with their 60-year-old conductor. While looking for the truth, Dávid's life soon starts to spiral out of control as he faces tough decisions and the adult society's negligence.

Eszter, 16, is secretly in love with her English teacher, while Peter, also 16, is hopelessly in love with Eszter. One day, the teacher announces that he is leaving the school to move to London. That same day, Eszter receives a farewell e-mail message from him. An online affair begins and spirals into sexual abuse.

The title of this Hungarian comedy is a German pun on "room for rent" (Zimmer Feri). Near-broke and desperate, Hungarian entrepreneur Feri decides to put a sleazy spin on tourism. After leasing a Lake Balaton boarding house, he moves in his gang -- wife, nephew, daughter, and the daughter's boyfriend -- and then sets out to scam unsuspecting German tourists. Written and directed by Peter Timor (Dollybirds). This film is also known as Feri's Gang. ~ Bhob Stewart, Rovi

A collage of human fates, where all shown characters are suffering from panic attacks. Stories like a policeman who is willing to come out or a young business woman who achieved her life goals too early.

After a life changing decision, an old man and his wife become criminals.

The attractive, 32-year old and single Dora edits scripts for plays and is working on "Dangerous Liaisons." One day when her lover shoves her, half-naked, out on a balcony at the sudden appearance of the wife that Dora didn't know he had, Dora is rescued by a handsome man named Tamas.

Kata, in her 20s, loses her boyfriend and her job on the same day. She's been indulging in fantasies of a more thrilling romantic life, and the cold water of being alone and unemployed doesn't entirely dampen her imagination. She's egged on by three girlfriends who get together to talk about men and sex. Kata has possibilities: she meets David, a medical student; there's Tamás, a stranger on a train who might be good for a relationship and a job. There's also Miki, her brother who's had serious drug problems. Is fulfillment within her grasp?

By the notes of Fiáth Pompeiusz, the one-time friend of Kapa and Pepe, Professor Szirtes has solved the secret of the time machine, and he realizes the invention relying on "special" H2O. Kapa and Pepe shall return by it into the past in order to set time right, which is out of joint, that is, to correct history, to save King Louis II, and prevent the Mohács Disaster. Pepe yields to the not too tender persuasion to enter upon the great journey through time, dies and revives, and they arrive at the battlefield of Mohács in time. Kapa films the events. The Turks win and cut off the king’s, Pepe’s, head, still the Hungarians dictate the peace treaty. Kapa and Pepe want to return, they fill the time machine up with water from the well, yet it won’t start. Even so Kapa and Pepe hover over Budapest and quarrel.

This time, Kapa and Pepe are first of all prisoners of war – and convicts taken to forced labor service, Jews, Hungarian soldiers, German soldiers. Once they are to be executed, then again they are to perform executions. The film tells in spectacular episodes about the fact that in the past more than one century and a half we kept marching from war to war; occupation and liberation turned out to be indifferent, and why couldn’t the Jews execute the SS-guys? Our heroes hover about dilapidated barracks, then again on the bridges of the capital they guess whose satellites or eternal friends for all times we might be just now. In the cupboard, among the preserved fruit bottles, Stalin is still hiding. The authors of the film are cited before court, then in a showcase hospital they are waiting for the end to come. A Soviet soldier-maid closes the film with a Péter Nádas-quote.

Detective Sebők is shot at by a fleeing criminal and then pushed off the road. Sebők breaks his leg. Left by his wife, pensioned by his boss on the basis of false reports, he has a clash with banker Gömöri at the colonel’s party.

In the week of the book an interview is made with the writer Péter Simon, whose first book of short stories appeared in the prime of his life.

We live in an age of unhappiness. Like all people of all ages, we experience our everyday private and public life waiting for redeeming miracles. A bittersweet caffeehouse tale with humor and foam, music and chocolate sauce in 15 minutes.

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.