Joseph Feury

A clothing designer tries to save her struggling boutique store by having a tumultuous weekend sale of her shop's inventory by playing on the addictions of shopping for the women of Beverly Hills.

Kirk Douglas achieved the kind of cinematic stardom that dreams are made of. As the torch was passed to his talented son Michael, it became obvious to everyone that the Douglas dynasty would continue to thrive…

Helena Mora, the head of an eccentric theatrical family, has decided to sell her large estate in the Hamptons because of her recent money troubles. Before she completes the sale, she wants to have one last gathering of family and friends, with dramatic performances. Bringing everyone together, though, creates rivalries and tension, especially for Oona, a temperamental but successful movie actress who seeks the approval of her creative peers.

After her own daughter abandons her child, an ambitious and orderly publisher has little choice but to raise the grandchild as her own.

"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.

A Pittsburgh apartment superintendent loses his job and home when the apartment building where he lives and works at is suddenly destroyed by fire. Daniel and his family moves in with his brother but that doesn't last for long due to the two families not getting along with each other. The family moves from rundown hotels to homeless shelters as Daniel searches work as a electrician while his wife takes waitress jobs to try to make ends meet.

Lee Grant's acclaimed 1989 investigation of domestic violence in American Homes. Battered is the powerful, if harrowing portrait of a life lived in constant fear of the people closest to you. Intimate interviews with the victims and children of the cycle are combined with the eye opening and heart breaking stories of the abusers themselves to take you deeper into every facet of these American lives.

After their father abruptly sells the beloved family-owned restaurant that has employed them for years, the charismatic McDermott boys - hot-tempered Brian (Quill), lovelorn Kit (Mulroney) and jokester Duncan (Astin) - find themselves at odds with their parents and each other.

Three sectors of American society hit by recession in the mid-1980s: heartland farms, factory workers out of a job, and the new homeless. In Minnesota, 250 family farms are being repossesed each week; men and women talk about their farms, the nature of their bank loans, the onslaught of corporate farming, and their sorrow and despair. In cities where 3,500 jobs per day go overseas, unemployed workers contemplate their options. The newly homeless talk about the jobs they've lost, "Justice Ville" in Los Angeles (bulldozed by court order), and squatting in New York's abandoned buildings. A family living in a welfare hotel tells their story.

Three sectors of American society hit by recession in the mid-1980s: heartland farms, factory workers out of a job, and the new homeless. In Minnesota, 250 family farms are being repossesed each week; men and women talk about their farms, the nature of their bank loans, the onslaught of corporate farming, and their sorrow and despair. In cities where 3,500 jobs per day go overseas, unemployed workers contemplate their options. The newly homeless talk about the jobs they've lost, "Justice Ville" in Los Angeles (bulldozed by court order), and squatting in New York's abandoned buildings. A family living in a welfare hotel tells their story.

Three sectors of American society hit by recession in the mid-1980s: heartland farms, factory workers out of a job, and the new homeless. In Minnesota, 250 family farms are being repossesed each week; men and women talk about their farms, the nature of their bank loans, the onslaught of corporate farming, and their sorrow and despair. In cities where 3,500 jobs per day go overseas, unemployed workers contemplate their options. The newly homeless talk about the jobs they've lost, "Justice Ville" in Los Angeles (bulldozed by court order), and squatting in New York's abandoned buildings. A family living in a welfare hotel tells their story.

Fact-based drama about the life of Marie Balter, who spent most of her young life in mental institutions. At age 16, she first attempted suicide and the next 20 years she spent in and out of the institutions. At last, a caring doctor started treating her for extreme depression and panic disorder. Weened from strong medications she had taken all her life, at age 36, she emerged for the last time and started a rehabilitation program in the home of a volunteer married couple. There she met a fellow patient with whom she developed a romantic relationship. She also started a college degree. This followed with a long-term professional success in the field of mental health.

A contemporary remake of "Cinderella"

"What Sex Am I?" follows a group of Transgender individuals struggling to make their way in every strata of 1980s America. From finding employment to finding acceptance, the first question the world forces them to ask is always, "What Sex Am I?"

"What Sex Am I?" follows a group of Transgender individuals struggling to make their way in every strata of 1980s America. From finding employment to finding acceptance, the first question the world forces them to ask is always, "What Sex Am I?"

When Women Kill is a poignant documentary exploring the shocking violence that seven women fell victim to at the hands of men. The program profiles the battered women who speak frankly about the cruel abuse, threats, and fears, and the overassertive men who led them down a one-way path to death and destruction. The film features in-prison footage, including a segment depicting a confession by a follower of the notorious Charles Manson, Leslie Van Houten, who was convicted of two killing sprees and committed to life in prison.

Adaptation of a Strindberg play by Lee Grant for the 1974 AFI Directing Workshop for Women. Restored in 2022 by the Academy Film Archive and The Film Foundation. Restoration funding provided by the Hobson/Lucas Family Foundation.