Kazimierz Urbanski

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

Stanislaw Ignacy Witkiewicz, better known as Witkacy, enivsages the future horrors of the Polish nation, as embodied by Stalin and Hitler, and the world collapsing into chaos.

Stanislaw Ignacy Witkiewicz, better known as Witkacy, enivsages the future horrors of the Polish nation, as embodied by Stalin and Hitler, and the world collapsing into chaos.

Stanislaw Ignacy Witkiewicz, better known as Witkacy, enivsages the future horrors of the Polish nation, as embodied by Stalin and Hitler, and the world collapsing into chaos.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

A swarm of locusts teases a herd of horses. A four-wheeled vehicle drives into the herd. It pulls behind its riders, the horses, and the insects. The gallop is more and more dynamic, gravediggers prepare coffins for crazy drivers.

An abstract short that shows the process of honey production.

An experimental stop-motion animation made with a piece of yarn.

An experimental animation by Kazimierz Urbański about transportation. Combines various techniques: traditional cartoon film, cut-out, documentary photos, animation of objects, and effects caused directly on the tape.

An experimental stop-motion animation made with a piece of yarn.

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation