Gym Lumbera

A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.

In the near future, Manila is an almost-utopian city, but they still believe in ghost stories. Nobody survives the mysterious blackouts that happen in random parts of the city after midnight. Nobody believes the horrors in its darkness are even real. Four friends are about to find out that you don’t need to believe, for it to come for you.

Charles, an engineering student with an eye for beauty, just returned from school to a dormitory owned by Aling Linda, a strict, lonesome widow. Other occupants of the dorm include Max–now on his 7th year in college, Sheen–his reluctant partner, Steven–a social entrepreneur, Ramon–his cop lover, Alex–a call center agent, and Jenny–his attentive girlfriend. They all spend the evening tucked away in solitary rooms, talking about collective experiences, sharing a similar fate. And rent is due.

Once upon a time, you were born. In the Philippines, there was no science education when you were a child. When they began to offer it in your adulthood, you leapt at the chance and studied harder than everyone else. You learned of kingdoms and species and genes and atoms. Science helped you to see the bigger world beyond. You studied so well, an American university paid you to keep studying with them, so you left. You gained mastery over the evolution of birds there, but you missed home the whole time. You lost your first wife and son to Science. So with degree in hand, you went back to your people. You found that they had burned their forests, and had exploded their seas. So you gave a new bird to your people; because, now you knew how to use it to save them. This was the piding. And the rest is the story of Oliver Carlos.

Once upon a time, you were born. In the Philippines, there was no science education when you were a child. When they began to offer it in your adulthood, you leapt at the chance and studied harder than everyone else. You learned of kingdoms and species and genes and atoms. Science helped you to see the bigger world beyond. You studied so well, an American university paid you to keep studying with them, so you left. You gained mastery over the evolution of birds there, but you missed home the whole time. You lost your first wife and son to Science. So with degree in hand, you went back to your people. You found that they had burned their forests, and had exploded their seas. So you gave a new bird to your people; because, now you knew how to use it to save them. This was the piding. And the rest is the story of Oliver Carlos.

Manila is besieged by the worst typhoon to hit the country. Talk of the world coming to an end hangs in the air. And five men find themselves stranded inside a police station with a prisoner who may o may not be the devil. It's going to be a long night.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes

A small town in the Philippines is turned upside down by the arrival of a film crew that has everyone excited. Meanwhile, 13-year-old Lukas finds his own world overturned when he is told that his father is a tikbalang (half horse, half man). His father’s disappearance leaves Lukas to try to unravel the mystery of his own heritage and his own nature.

Jungle Love follows a handful of people who have disappeared into the jungle: a woman who has kidnapped her sister's child; an urbane couple and their indigenous guide; a bored and horny platoon; and a nameless tribe. Disappearance has another meaning in Sanchez’s native Mindanao, where a decades-old conflict between the government and secessionists fighting for an Islamic state has made the region infamous for its kidnappings. Sanchez took inspiration from an incident in which a friend living abroad visited an exhibition, and found a photo of him labeled as one of the disappeared. Jungle Love is permeated with this sense of the uncanny, as narratives and identities fracture and fuse into one another in the reckless, lonely places people go to escape themselves.

At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.

At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.

At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.

A local albino is searching for his identity. Believing that he is the son of an American, he tries to learn English through reading translations and definitions from a Tagalog-English dictionary.

A local albino is searching for his identity. Believing that he is the son of an American, he tries to learn English through reading translations and definitions from a Tagalog-English dictionary.

A nursery rhyme hovers over shadowy fragments of time, of arrivals and departures and the illusion of passage they evoke.

A nursery rhyme hovers over shadowy fragments of time, of arrivals and departures and the illusion of passage they evoke.

A group of friends, sharing a passion for cinema, assemble in Corregidor, a small island in Manila Bay that has preserved relics from the Pacific War as its foremost attractions. There, they explore the island and retire in a rustic mansion used once to make silent films. Outside the city, the woods and sea become a meeting place for more movie personalities and it all becomes a celebration of what was left behind.

BIG BOY is a coming-of-age tale about a boy and his family in 1950s Mindoro, Philippines, and how he is groomed into becoming the poster boy for his parent's home-based business. The film is an experimental portrait of a family amidst change -- an experience that will engage audiences in something strange but familiar.

An endless night with a couple enclosed in a room that divide their personal lives from their true characters.

Gym Lumbera’s Dahil Sa’yo situates its melancholic romance between an old man and a banana tree set in the director’s native Batangas. Lyrically shot, sparingly paced, and thematically succinct, the short film makes use of very relatable human emotions as expressed through the popular ballad sung by the old man to his beloved tree to depict the despair in humanity’s relationship with his environment.

Mondomanila tells the story of teenage anti-hero Tony de Guzman and the rough neighborhood he calls home.