William Hutt

Pierre Brossard, um policial colaborador dos nazistas, prende e fuzila sete judeus franceses numa pequena cidade do interior da França, em junho de 1944, durante a II Guerra Mundial. Após a guerra e a libertação do país, condenado à morte in absentia e escondido durante décadas, por um teia de proteção da Igreja e de altos integrantes do escalão governamental ex-colaboracionistas como ele, ele começa a sofrer tentativas de assassinato, em princípio imputados a grupos judeus de caçadores de nazistas. A juíza Levy e o coronel Roux da inteligência do exército francês, tentam encontrá-lo antes que seja assassinado, pois acreditam que na verdade os atentados são praticados a mando de integrantes do alto escalão do governo, de passado comprometedor durante a guerrra, que pretendem silenciá-lo.

The remaining members of a once-great American family succumb to addictions, selfishness and disease.

Young girl enters the modeling industry wanting to becoming "the face of the '80s."

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus.

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

Hallmark Hall of Fame's second version of Shakespeare's classic play, with the same two stars and the same director as its first version, but a different supporting cast.

When a law-abiding demolition expert is duped by a gang of criminals into helping them he is caught and jailed. When he is released he goes straight and then notices a leading citizen in his town is cheating his neighbours.

The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.