Haruo Umekawa

A amiga lésbica faria qualquer coisa por ela, inclusive matar seu marido violento. Agora, as duas precisam fugir se quiserem continuar vivas. Com Kiko Mizuhara.

A low-ranking yakuza is given the mission to kill a high-ranking yakuza from a rival group. Wanting recognition, he accepts the assignment, only to meet an enthusiastic office lady.

Aki is an unsuccessful 29-year-old actress who eventually became a magician's assistant. While pretending to be hypnotised on the stage, Aki finds the boundary between reality and illusion becoming increasingly vague. For Aki, the only beautiful memory she has was the time spent with her lover Kaito.

When theater director Naoko (Saori) holds auditions for the first production of her newly established all-female theater troupe, she is mesmerized by Haru (Arisa Nakamura), who barges into the old garage where they rehearse. Naoko chooses Haru to be the lead as she leverages her power as director to pursue the romantic connection that fuels her voracious creativity. However, as opening night approaches, jealous entanglements threaten the artistic and ideological aims of the project, as well as the relationship with Haru pulling Naoko from her womanizing ways. Based on her own semi-autobiographical novel Kokan, cult theater director and actress Junko Emoto makes her directorial debut in this playful drama relishing the toil and passion of a struggling creative life on and off stage. -JAPAN CUTS: Festival of New Japanese Film

Kiki é uma menina corajosa e travessa que segue sua tradição maternal de se tornar uma bruxa. Ela só possui um dom de magia, o de voar. Como toda jovem bruxa, aos 12 anos ela deve se aventurar em uma cidade sozinha. Acompanhada por seu gato Jiji, Kiki sai em sua vassoura e chega em uma cidade perto do mar. Ao conhecer novas pessoas e passar por aventuras, Kiki ganha mais confiança e autoconsciência e, com a ajuda de Kiki, o povo percebe que todo mundo possui alguma mágica que lhes dá sua própria personalidade e vitalidade.

A história gira em torno de Yu, um garoto cujo pai é um católico obcecado por pecados e confissões. O único jeito de Yu chamar a atenção de seu pai é se tornando um pecador, e assim ele se torna um especialista em tirar fotos por debaixo da saia de mulheres. Desse modo ele conhece Yoko, uma menina que sofrera abuso do pai, por quem se apaixona...

While alone in a nightclub, straight-laced Lui meets sensitive but troubled punk kid Ama. Mesmerized by his split tongue, she becomes obsessed with body modification and soon wants the same treatment. After Ama's heavily-tattooed friend Shiba pierces her tongue, Lui finds herself inexorably drawn to both men – and to her growing list of desires, she now adds a tattoo.

A cadre of backup dancers is left astray when their star singer moves on with her life and marriage. They each had their own ambition and hope, which subconsciously rested on the star power of the singer. When plan A does not work, they cling to plan B. When that does not work, in an act of desperation, they are assigned to plan C by their agency. A fight and unprofessionalism seems to put the Backdancers on permanent ice.

Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.

Two seriously wounded samurai find refuge from a storm at an isolated temple, the home of a swordsman and a mysterious young woman. One samurai awakes to find that not only has his comrade died, but that his wounds have miraculously healed. He discovers that he has been given the power of immortality by the swordsman, a man once known as the legendary Miyamoto Musashi, who now lives an endless existence as Aragami, a "god of battle".

Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.

Shoko e Mutsuki se casam para satisfazer seus pais preocupados, mas ela já passou da idade em que uma japonesa "boa" deveria se casar, e ele está apaixonado por um jovem estudante. O filme é menos uma exploração realista da vida gay do que um conto de fadas de três jovens japoneses tentando construir uma alternativa aos papéis sexuais e familiares dados a eles por uma sociedade cada vez mais emocionalmente estéril.