Thomas Koerfer

Luna Papa é uma história narrada por um bebê que ainda se encontra no ventre de sua mãe. Esta aventura ambientada nas paisagens áridas e exóticas de Tadjiquistão, com aviões em vôos rasantes, e vacas que caem do céu, tem como heroína uma jovem aspirante a atriz, órfã de mãe, que mora com o pai e o irmão mentalmente perturbado. Numa noite ela é seduzida por um estranho. Grávida, sai a procura do pai desta criança, vivendo situações poéticas e delirantes.

It is carnival time in Munich and participants are overindulging in alcohol and sensual pleasures. "Follow us into madness" beckons Lys who is drunk on life, but the sensitive Henry does not follow him. Lys has betrayed his fiancé, as Henry once betrayed his lost love Anna. In memory of Anna and his cruel Dickensian childhood, Henry challenges Lys to a duel to try to appease his guilt.

It is carnival time in Munich and participants are overindulging in alcohol and sensual pleasures. "Follow us into madness" beckons Lys who is drunk on life, but the sensitive Henry does not follow him. Lys has betrayed his fiancé, as Henry once betrayed his lost love Anna. In memory of Anna and his cruel Dickensian childhood, Henry challenges Lys to a duel to try to appease his guilt.

Angelo and two of his buddies set out to rob a Swiss bank, and from the start things don't go well. The man driving the getaway car packed up and left before anyone could connect him with the crime, and Angelo's other partner got shot and killed. The best he can do is grab someone's cash-filled briefcase and take a car and its driver hostage. It turns out that the driver is the daughter of the bank director, so he figures that she's good for ransom money and begins negotiations for that. Meanwhile, the briefcase he took at the bank turns out to have belonged to a man who is willing to hire killers to get it back for him. The situation grows increasingly perilous for him, and he decides to flee the scene but not before he has won the heart of his lovely hostage.

Cannes Festival 1991

The work of legendary actor François Simon, son of Michel Simon.

Even with good acting, pleasant music, and artistic photography, this "love-boat" story of romance is more like Alice in Wonderland rather than Alice on the streets of Zurich. The Zurich Alice is a flautist who plays for the passersby like many another street or Metro musician. While so engaged, she meets a VIP Russian flautist who has defected and is living in the city. He falls in love with her and as a gesture of his devotion decides to arrange her solo concert debut. Meanwhile, Alice easily figures out what his plans are and devises her own secret scheme. When the day of the performance arrives, her Russian heartthrob is in for a flattering surprise, sure to end his bachelor status. ~ Eleanor Mannikka, Rovi

Francois Korb is an arms manufacturer who sold both to the Germans and the Allied forces. Korb's home life is less than ideal, since his wife is having an affair with his brother, and his young son is inseparable from a teddy bear. To remedy the son's situation, the parents take in a little refugee girl as a temporary companion and playmate, and the two children become fast friends.

Francois Korb is an arms manufacturer who sold both to the Germans and the Allied forces. Korb's home life is less than ideal, since his wife is having an affair with his brother, and his young son is inseparable from a teddy bear. To remedy the son's situation, the parents take in a little refugee girl as a temporary companion and playmate, and the two children become fast friends.

Francois Korb is an arms manufacturer who sold both to the Germans and the Allied forces. Korb's home life is less than ideal, since his wife is having an affair with his brother, and his young son is inseparable from a teddy bear. To remedy the son's situation, the parents take in a little refugee girl as a temporary companion and playmate, and the two children become fast friends.

A theatrical group prepare Voltaire’s play “Alzire”. From this the ideas of Voltaire are examined as they relate to the present day political situation.

At the end of the 19th century, an educated white-collar worker finds himself in the employ of an inventor. As he is neither a "worker" nor an "owner," his position in the inventor's household and in the world at large is equivocal. Despite the difficulties he encounters, he tries to hold onto his job in order to support his family, but is eventually fired. This Swiss movie is based on a novel written around 1900 by Robert Walser.

With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.