Volodymyr Denysenko
Nascimento : 1930-01-07,
Morte : 1984-06-10
História
Volodymyr Denysenko was as Ukrainian cinematographer, scriptwriter and teacher. He finished the Karpenko-Kary Theatrical Institute in Kyiv in 1948, but was then imprisoned by the Russian authorities for "Ukrainian bourgeois nationalism". He was released and pardoned in 1956. He finished cinematographic studies and then started working in films. He married the actress Natalia Naum.
Screenplay
World War II scattered the Carpathian peasant family of Yaroslava Petrin. She is a dedicated communist, and her husband, son and daughter support OUN-UPA.
Director
World War II scattered the Carpathian peasant family of Yaroslava Petrin. She is a dedicated communist, and her husband, son and daughter support OUN-UPA.
The film is about microbiological scientists who are exploring the causes and mechanisms of the action of oncological diseases, looking for ways to fight this insidious and dangerous disease for humans.
Writer
The film is about microbiological scientists who are exploring the causes and mechanisms of the action of oncological diseases, looking for ways to fight this insidious and dangerous disease for humans.
Director
The film is about microbiological scientists who are exploring the causes and mechanisms of the action of oncological diseases, looking for ways to fight this insidious and dangerous disease for humans.
Screenplay
Historical and military film about the exploits of fighters during Kyiv defense against the onset of the Nazi troops. In virtually hopeless situation soldiers fulfilled their duty to the end. Capture of Kyiv was the first Pyrrhic Hitler’s victory that in the end led to defeat of Germany during the war.
Director
Historical and military film about the exploits of fighters during Kyiv defense against the onset of the Nazi troops. In virtually hopeless situation soldiers fulfilled their duty to the end. Capture of Kyiv was the first Pyrrhic Hitler’s victory that in the end led to defeat of Germany during the war.
Writer
The action takes place during World War II and the German occupation of Ukraine, in a small village. During clashes on the road, the village boy Vasyl, one of the local partisans, killing a German officer. The occupants take hostages and vow to execut all village inhabitants will beed, including old people and children, if the perpetrator is not found and delivered to them. The problem of choice faces the fellow villagers and Vasyl himself.
The film is striking it its black-and-white imagery unfolding not so much against, as together with, the emotionally intense music by Pederecki, Bakki, and Skoryk. Conscience is absolutely free of Soviet ideological clichés obligatory for the WWII genr, and was immediately banned by the Soviet censorship. It was first restored in 1989 by the Dovzhenko Studio and in 2011 by the Ukrainian Ministry of Culture.
The action takes place during World War II and the German occupation of Ukraine, in a small village. During clashes on the road, the village boy Vasyl, one of the local partisans, killing a German officer. The occupants take hostages and vow to execut all village inhabitants will beed, including old people and children, if the perpetrator is not found and delivered to them. The problem of choice faces the fellow villagers and Vasyl himself.
The film is striking it its black-and-white imagery unfolding not so much against, as together with, the emotionally intense music by Pederecki, Bakki, and Skoryk. Conscience is absolutely free of Soviet ideological clichés obligatory for the WWII genr, and was immediately banned by the Soviet censorship. It was first restored in 1989 by the Dovzhenko Studio and in 2011 by the Ukrainian Ministry of Culture.
Director
The action takes place during World War II and the German occupation of Ukraine, in a small village. During clashes on the road, the village boy Vasyl, one of the local partisans, killing a German officer. The occupants take hostages and vow to execut all village inhabitants will beed, including old people and children, if the perpetrator is not found and delivered to them. The problem of choice faces the fellow villagers and Vasyl himself.
The film is striking it its black-and-white imagery unfolding not so much against, as together with, the emotionally intense music by Pederecki, Bakki, and Skoryk. Conscience is absolutely free of Soviet ideological clichés obligatory for the WWII genr, and was immediately banned by the Soviet censorship. It was first restored in 1989 by the Dovzhenko Studio and in 2011 by the Ukrainian Ministry of Culture.
Screenplay
Poetic treatment of the early life of Ukrainian poet and painter Taras Shevchenko. A biopic made on the occasion of his 150th anniversary. It dwells on the first part of the Shevchenko's life leading up to the writing of his rebellious poem "A Dream" (A comedy). The film features the first appearance on the silver screen of the iconic Ukrainian actor Ivan Mykolaichuk (as Taras Shevchenko).
Director
Poetic treatment of the early life of Ukrainian poet and painter Taras Shevchenko. A biopic made on the occasion of his 150th anniversary. It dwells on the first part of the Shevchenko's life leading up to the writing of his rebellious poem "A Dream" (A comedy). The film features the first appearance on the silver screen of the iconic Ukrainian actor Ivan Mykolaichuk (as Taras Shevchenko).
Director
A Soviet trading ship sank into the Italian port. Sailor Roman went ashore. In one of the squares he heard singing. It was sung by Francesca. The sailor was delighted with her voice and beauty. They wandered for a long time that day on ancient streets and squares. And the next morning the war began. The Soviet ship had to urgently return to their homeland. It was difficult to part in love, but they believe that they will definitely meet.
Writer
Festive Kyiv meets victorious warriors. Among the noise and fun, Irina Gaeva feels especially lonely. No one is waiting for her, no one meets her at the station. All her family and friends died during the war. Confused, overwhelmed by grief, Irina decides to go to the village, in the battles for which her husband died.
Director
Festive Kyiv meets victorious warriors. Among the noise and fun, Irina Gaeva feels especially lonely. No one is waiting for her, no one meets her at the station. All her family and friends died during the war. Confused, overwhelmed by grief, Irina decides to go to the village, in the battles for which her husband died.