Michael Lösche

Filmes

Komm in den Garten
Cinematography
A portrait of three friends from the GDR. Dieter, a painter, spent ten years in prison on account of his "aversion to work". Alfred, promoted to the position of deputy executive editor, ends up in prison and receiving psychiatric help as a result of a catch-22 situation involving protests and alcoholism. Michael, who had studied foreign trade in Moscow, was kicked out of the Academy and now earns a living crafting lamps.
Unsere alten Tage
Cinematography
Und freitags in die
Cinematography
Ernst Cantzler’s documentary about the soccer fan club “Union”, the scenes in the stadium, in their club bar “Green Hell” and in the streets of Berlin was a sensation. The scenes shown by the director and his cameraman had never been seen before: young soccer fans full of violence in the “first German peaceful state”. They are Hooligans who live from one weekend to the other just to get it all out. They want to scream, kick, hit and drink.
Our Children
Cinematography
From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.
Das Freie Orchester
Cinematography
whisper & SHOUT
Director of Photography
Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.
Film-Salabim
Director of Photography
Yell Once a Week
Cinematography
The film’s title is taken from a song, used here as a leitmotif, written by Günter Jordan and the East German rock group Pankow. This sensitive report about rebellious teenagers in Berlin’s “wild East” was banned before its first screening.
Copihuito
Camera Operator
This color documentary reports on young Chilean pioneers in the capital of the GDR. We experience the development of their pioneer newspaper from the first ideas to the printed new edition. Pictures by the Chilean painter César Olhagaray depict the struggle for freedom and the hopes of the Chileans, accompanied by excerpts from Pablo Neruda's "The Great Song" (Canto General).