Carlo Cerchio

Filmes

Ladri di cinema
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No-budget satire on the bleak state of Italian film industry & distribution circa late-'80s-to-early-'90s. Mercurio, a down-to-earth, perennially underseen independent filmmaker, tries to get a distribution company to release his latest movie.
Gli assassini vanno in coppia
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Rorret
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Mr. Rorret is the owner of a cinema called "The Peeping Tom" which shows a constant stream of horror films. Rorret dates women from the audience and then kills them, taking sadistic pleasure from their expressions of terror. This film is apparently a well-filmed homage to "Peeping Tom", with nods to "Psycho" and "Strangers on a Train".
Chi c'è c'è
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Magic Moments
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Three young friends – aspiring film director Roberto, aspiring producer Ben and aspiring comedian Cico – move to Rome looking for a career in a film industry that they discover being well past its heyday.
Madonna che silenzio c'è stasera
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Lady Dynamite
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Donna Costanza is married to a New Jersey mafia boss. During their 10 year wedding anniversary party he is shot and killed. His dying words to her are "Giarratana from Palermo". Costanza takes a trip to Palermo in order to avenge the death of her husband. Her target is Don Giarratana, a dangerous and influential Italian politician.
Love, Passion and Pleasure
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Cecco Angiolieri has joined, as storytellers and acrobats, the traveling company of Camillo. The stupidity of this man is so great that Cecco, inventing contagious childhood diseases, replacing it with his wife Dinda until the woman becomes pregnant. Meanwhile, the company has come in a city ruled by poetastro ser Gianni: Cecco, using his poetic vocation, getting license show for his teammates and conquers the woman, Tessa. Another victim of his jokes is fierce mother Lucrezia, new superior of the local monastery: Cecco, after forcing her to strip naked in the brothel of Filippa, precedes the convent pretending to it. Later, he clarified the misunderstanding, it becomes the lover and requires it to give shelter to Dinda, until Camillo is not ready to accept happily the unborn child as his.
L'attaccatura
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