Irmena Chichikova

The real story of the journalist Vesela Toteva (in the role is her daughter -Valentina Karoleva) searching for her own happiness during the dynamic and uncertain 90's in Bulgaria. A tale about drugs, fall, fear and redemption.

A single mother, wanting to protect her eight-year-old son from pain, lies to him that his dad is away with the Antarctic expedition. But postponing the confession about the father's death, causes damage to her and her son.

Motorista do trem, Nurlan está indo para Baku pela última vez antes da aposentadoria. A caminho dos bairros da cidade, o veículo sem querer pega um sutiã azul em um varal. Nurlan então embarca em uma jornada: encontrar a dona dessa peça de roupa.

Três pessoas lidam com o mesmo desejo e ainda incapacidade de tocar, para entrar em contato.

8 minutes and 19 seconds – that’s all the time we have until the news about the death of the sun reaches us. That's what it takes for the light to travel from there to here. And then the darkness comes… But the theme of this Apocalypse is not necessarily going to be expressed through a global cataclysm, horsemen of the apocalypse, angels of death, fire and destruction. It will rather be shown as something very personal, intimate and almost silent.

The story of Omnipresent is centered around Emil, writer and owner of advertising agency who gradually becomes obsessed with spying on his family, friends and employees via hidden spy cameras. What starts as an innocent hobby ends up as a total disaster, as in the process he abuses his new power and eventually comes to realize that some secrets should be left uncovered.

Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together

Through two unique female personas the film suggests a metaphysical idea of the present as ever recurring, since the temptations, which the human soul faces, are always the same. But any choice can be made only after the experience of the past is passed on and shared with a kindred spirit in the present. Such is the nature of the relationship between Adriana, the femme fatale of 1938, and the innocent Yura of 2008.

Dois irmãos distantes são reunidos quando desempenham papéis opostos em uma surra racista: enquanto Georgi, que recentemente se juntou a um grupo neonazista, participa da violência, Hristo testemunha e resgata uma família turca. Georgi, agora convidado a participar de eventos maiores, começa a questionar sua implicação no movimento e Hristo se pergunta se a linda garota turca que ele salvou poderia ser sua passagem para a triste vida de Sofia. Somente reunindo os dois irmãos serão capazes de avaliar o que realmente querem da vida.