For two decades, New York City cinephiles had access to a treasure trove of rare and esoteric films through Kim's Video. Originally run by the enigmatic Yongman Kim out of his dry-cleaning business, his franchise eventually amassed 55,000 rental titles. In 2008, facing a changing industry, Mr. Kim offered to give away his collection provided that it stay intact and be available to Kim's Video members. In a bid to revitalize tourism, the small Italian village of Salemi, Sicily became home to the archive. But after the initial publicity faded, so too did any sign of the collection. Enter filmmaker David Redmon, who credits Kim's Video for his film education. With the ghosts of cinema past leading his way, Redmon embarks on a seemingly quixotic quest to track down what happened to the legendary collection and to free it from purgatory.
It has been almost thirty years since Filippo Dobrilla started to sculpt a giant male nude inside a cave 650 metres deep in the Apuan Alps. This almost inaccessible place has jealously protected his secret: his youthful passion for a fellow climber, a passion Filippo was only able to indulge in here in the intimacy of this cave. Even after it was over and ever since then, Filippo has been returning regularly to the cave to work on the most important sculpture of his life, a masterpiece no one will see.
A film-journey into the art of Wolfango, born in Bologna in 1926, "the greatest living Italian painter", as Eugenio Riccomini defined him, who first, in 1986, convinced him to exhibit his works. "Painting enters inside and speaks to the world; indeed, it speaks to the world". His production is based on this assumption, extraneous to contemporary artistic currents. The film is also a passionate chorus of those who have known and appreciated it in the last thirty years.
This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.
Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.
The formation, the political rise and the fall. Following a chronological order and using exclusive and unpublished materials, the documentary traces a portrait of Bettino Craxi, one of the most influent Italian politicians.
