Giuseppe Piccioni

Ascoli Piceno, 1938. Luciano (Riccardo Scamarcio) é dono de um restaurante com vista para a praça principal da cidade, veterano da 1ª Guerra Mundial da qual carrega uma amarga consciência de saber matar, se necessário. Ele é simpatizante do Partido Fascista que está no poder. Um dia ele conhece Anna (Benedetta Porcaroli), uma jovem que busca qualquer tipo de trabalho, e Luciano a contrata como garçonete. O filme apresenta uma história de amor tendo como pano de fundo a Itália fascista e as leis raciais.

Ascoli Piceno, 1938. Luciano (Riccardo Scamarcio) é dono de um restaurante com vista para a praça principal da cidade, veterano da 1ª Guerra Mundial da qual carrega uma amarga consciência de saber matar, se necessário. Ele é simpatizante do Partido Fascista que está no poder. Um dia ele conhece Anna (Benedetta Porcaroli), uma jovem que busca qualquer tipo de trabalho, e Luciano a contrata como garçonete. O filme apresenta uma história de amor tendo como pano de fundo a Itália fascista e as leis raciais.

Ascoli Piceno, 1938. Luciano (Riccardo Scamarcio) é dono de um restaurante com vista para a praça principal da cidade, veterano da 1ª Guerra Mundial da qual carrega uma amarga consciência de saber matar, se necessário. Ele é simpatizante do Partido Fascista que está no poder. Um dia ele conhece Anna (Benedetta Porcaroli), uma jovem que busca qualquer tipo de trabalho, e Luciano a contrata como garçonete. O filme apresenta uma história de amor tendo como pano de fundo a Itália fascista e as leis raciais.

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

Four girls unknowingly experience the happiest days of their lives during an uneventful best-friend trip to Belgrade.

Four girls unknowingly experience the happiest days of their lives during an uneventful best-friend trip to Belgrade.

Four girls unknowingly experience the happiest days of their lives during an uneventful best-friend trip to Belgrade.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

The story of a teacher and his students, set in an Italian high school.

The story of a teacher and his students, set in an Italian high school.

The story of a teacher and his students, set in an Italian high school.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.

Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.

Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.

Em 1972, após um longo processo de adoecimento mental, Liseli Marazzi Hoepli se suicidou, deixando sua filha Alina, de apenas sete anos. Tempos depois, a menina já adulta vasculha velhos filmes caseiros, diários, cartas e contas médicas, numa tentativa devastadora de dar voz à mãe e as histórias dela que não pode conhecer.

A relationship develops between seasoned actor Stefano and his young, ambitious co-star Laura when they are cast as the two leads in a film. Stefano must deal with his growing jealousy when Laura's career begins to take off.

A relationship develops between seasoned actor Stefano and his young, ambitious co-star Laura when they are cast as the two leads in a film. Stefano must deal with his growing jealousy when Laura's career begins to take off.

A relationship develops between seasoned actor Stefano and his young, ambitious co-star Laura when they are cast as the two leads in a film. Stefano must deal with his growing jealousy when Laura's career begins to take off.

Antonio is a fallen angel, a rootless chauffeur in Rome, who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

Antonio is a fallen angel, a rootless chauffeur in Rome, who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

Antonio is a fallen angel, a rootless chauffeur in Rome, who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

Stefano, a philosophy grad student without a future, tries to commit suicide after his girlfriend leaves him. He is saved by Giulio, a wisecracking plumber who takes him home and teaches him the tricks of the trade. When Lucia, a woman disappointed in both men and conventional jobs who has started to work as a prostitute, calls them to repair a sink, for Stefano it's love at first sight.

Stefano, a philosophy grad student without a future, tries to commit suicide after his girlfriend leaves him. He is saved by Giulio, a wisecracking plumber who takes him home and teaches him the tricks of the trade. When Lucia, a woman disappointed in both men and conventional jobs who has started to work as a prostitute, calls them to repair a sink, for Stefano it's love at first sight.

Stefano, a philosophy grad student without a future, tries to commit suicide after his girlfriend leaves him. He is saved by Giulio, a wisecracking plumber who takes him home and teaches him the tricks of the trade. When Lucia, a woman disappointed in both men and conventional jobs who has started to work as a prostitute, calls them to repair a sink, for Stefano it's love at first sight.

Dive into the Eternal City – see Rome like you’ve never seen it before. Storefront robberies, bizarre murders, career dreamers, and cameos from Italy's foremost directors and actors feature in this star-studded omnibus tale about life and love.

A neurotic lawyer is split between the desire to stay faithful to his fiancée and the one to cheat on her. Things take a turn for the literal when one night he splits into two different versions of himself, a soon-to-be-married one and a confirmed bachelor one.

A neurotic lawyer is split between the desire to stay faithful to his fiancée and the one to cheat on her. Things take a turn for the literal when one night he splits into two different versions of himself, a soon-to-be-married one and a confirmed bachelor one.

No-nonsense workaholic Marco runs the family business along with his older brother. When the latter suddenly disappears, Marco has to put aside his job and family to search for him together with Elena, his brother's girlfriend.

No-nonsense workaholic Marco runs the family business along with his older brother. When the latter suddenly disappears, Marco has to put aside his job and family to search for him together with Elena, his brother's girlfriend.

Waiting for the train that will take him away, a man goes back over moments of his small-town upbringing: the relationship with his family, his own involvement in the youth protests of 1968 and a childhood friend died too soon.

Waiting for the train that will take him away, a man goes back over moments of his small-town upbringing: the relationship with his family, his own involvement in the youth protests of 1968 and a childhood friend died too soon.

Waiting for the train that will take him away, a man goes back over moments of his small-town upbringing: the relationship with his family, his own involvement in the youth protests of 1968 and a childhood friend died too soon.