Pat Place

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

A obra revolucionária de Lizzie Borden sobre provocação feminista e futurismo está repleta de energia da revolução. Born in Flames é uma cápsula do tempo de Nova Iorque pré-gentrificação dos anos 1980 e um filme turbulento e relevante para o nosso presente discordante.

Second feature film by the French-born director is a Bertolucci-style story of a bored, rich woman looking for romance and adventure. She meets an American G.I., dumps him, then falls for a Communist worker.

The almost lyrical Letters to Dad, is a meditation on authority that superimposes the spectre of Jonestown over the relatively fresh faces of the parapunk art world; the film takes on a musical form - like a 20th-century ballad composed of subliminal behavior cues, advertising testimonials, and the text of the National Enquirer

Um drama de sandálias e espadas pós-punk que reencena o complô para assassinar o imperador Calígula.

Pat Place plays a creature who lives in an old abandoned barge on a rubbish strewn beach. The mood is post-apocalyptic and the music of Telstar mixed with domestic kitchen clatter.

This experimental short consists of eight unedited rolls of super-8 film, each of which profiles an individual woman in real time. The women engage in everyday behaviour, such as playing pinball or reading a letter aloud.

Two women- one passive and resigned, the other aggressive and domineering - interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.