Alile Sharon Larkin

Alile Sharon Larkin

História

Alile Sharon Larkin is an artist-educator and award-winning independent film and video maker. Larkin was a public school teacher in Los Angeles for over 25 years. She taught at 32nd Street/USC Visual and Performing Arts Magnet School from 1993-2013. Her teaching experience ranges from pre-K to college and filmmaking is part of Larkin’s interdisciplinary curriculum. She has received 10 Video in the Classroom Awards for teacher-produced films, documenting students learning about textile arts, storytelling, yoga, jazz, women’s history, Kwanzaa and African-American dance. Her film, Your Children Come Back To You (1979), presents a child’s perspective on wealth and social inequality, and has screened throughout U.S. and Europe. A Different Image (1982), about an African-American woman contemplating self-identity, heritage and perception, received critical praise and earned her first prize from the Black American Cinema Society, won Best Production of 1981 from the Black Filmmaker Foundation, and was named runner-up for best short film at FILMEX. The screenplay of A Different Image was published in Screenplays of the African American Experience (Indiana University Press, 1991). Larkin’s critical essay, “Black Women Filmmakers Defining Ourselves,” appears in Female Spectators (Verso Editions, London). Larkin was honored to write the prologue for Charles Burnett: A Troublesome Filmmaker (Play-Doc Books, 2016). Her essay is titled: “Who Will Protect and Respect, Inspire and Nurture This Black Woman Filmmaker (For Charles and All the Brothers).” Larkin's production company Dreadlocks and the Three Bears Productions creates Afrocentric and global multimedia and arts experiences for children and families. Larkin recently resumed shooting Tie-Dye after 26 years, with a multigenerational crew including her son and granddaughter. Tie-dye features black children celebrating everyday life through global black music genres. The music is available on iTunes. Larkin hopes to complete the DVD for release in 2017.

Perfil

Alile Sharon Larkin

Filmes

Dreadlocks and the Three Big Bears
Director
The story of Goldilocks and the Three Bears is told from an African American perspective in this short film written and produced by Alile Sharon Larkin.
Creating a Different Image: Portrait of Alile Sharon Larkin
A jubilant affirmation of self-identity, Creating a Different Image is Alile Sharon Larkin in her own words defiantly declaring, "I am an artist." Learn more about the personal life and professional aspirations of the filmmaker behind Your Children Come Back to You (1979), A Different Image (1982), Dreadlocks and the Three Bears (1991) and many more. —Samuel B. Prime
Miss Fluci Moses
Director
The film uses interviews and photographs to tell the story of librarian and poet Fluci Moses, who is herself on-camera most of the time. She and other readers relate the story of black life in America through her and other readers' poems.
Uma Imagem Diferente
Writer
Alana (Margot Saxton-Federella) é uma jovem que trabalha em um escritório enquanto desenvolve estudos de pintura. Seu cotidiano é marcado pelo esforço em se tornar uma mulher independente e se rebelar contra as convenções impostas por uma sociedade machista e racista. Seu colega de escritório e amigo, Vincent (Michael Adisa Anderson), parece o parceiro ideal nessa busca por construir autonomamente uma outra imagem de negritude. A amizade entre os dois parece contrariar os estereótipos e subverter as expectativas de todos ao redor, até o momento em que, enquanto Alana dorme a seu lado, Vincent se aproveita da situação e tenta estuprá-la.
Uma Imagem Diferente
Director
Alana (Margot Saxton-Federella) é uma jovem que trabalha em um escritório enquanto desenvolve estudos de pintura. Seu cotidiano é marcado pelo esforço em se tornar uma mulher independente e se rebelar contra as convenções impostas por uma sociedade machista e racista. Seu colega de escritório e amigo, Vincent (Michael Adisa Anderson), parece o parceiro ideal nessa busca por construir autonomamente uma outra imagem de negritude. A amizade entre os dois parece contrariar os estereótipos e subverter as expectativas de todos ao redor, até o momento em que, enquanto Alana dorme a seu lado, Vincent se aproveita da situação e tenta estuprá-la.
Your Children Come Back to You
Editor
A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.
Your Children Come Back to You
Producer
A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.
Your Children Come Back to You
Writer
A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.
Your Children Come Back to You
Director
A single mother ekes out a living from welfare check to welfare check, struggling to provide for her daughter.
The Single Parent Family: Images in Black
Director of Photography
Interviews with single black parents.
The Kitchen
Editor
An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive
The Kitchen
Producer
An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive
The Kitchen
Writer
An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive
The Kitchen
Director
An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive