Max Knoth

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

In a place where a biblical landscape and western myths converge, there is a house, part biker hangout, part mountain farm. It welcomes all beings who traverse this inhospitable landscape. In „The Hostel“, past and future merge into one place, and deepest misery and recreation are not mutually exclusive. This is where our paths cross.

Now that we’re all living longer and “40 is the new 30,” why can’t 60 be the new 40? That’s what Louise and Frans think when they embark on bold new life adventures. Louise is a molecular biologist who decides to make a withdrawal from the sperm bank and have a baby. Meanwhile, gallery owner Frans decides to re-boot his career by finding the hottest new talent on the art scene. While attempting to recapture their lost youth and avoid total ridicule, Louise and Frans accidentally cross paths.

Red rose petals fall on mossy ground. Observed by hunters and gatherers, hikers and nature lovers, a passion play about nature, human achievement, and human degeneration unfolds.

Many ordinary but different people take part on a marathon in a small town. Abruptly it becomes foggy and the mist is getting more and more dense. The competitors lose their orientation.

Prüfstand VII is a 2002 German docudrama film directed by Robert Bramkamp, about the V2 rocket and the rocket research in the Peenemünde Army Research Center. The film deals with the history of ideas surrounding the rocket research and the conquest of space, with Bianca as the spirit of the rocket guiding the viewer around different aspects of rocket research. It is partly inspired by Thomas Pynchon's novel Gravity's Rainbow and features dramatization of some selected scenes from the novel.