It's 1989 in East Berlin: Suzie is kicked out of school shortly before she graduates from high school and has to defend herself as a worker in the cable factory. However, a randomly taken photo leads them to the fashion world of the GDR. The editor-in-chief Elsa Wilbrodt put them on the cover of Sibylle, the fashion magazine of the GDR. In the Berlin underground scene she made the acquaintance of the gay fashion designer Rudi and the photographer Coyote. Suzie must decide if she's brave enough to leave the old strands behind forever.
Na Alemanha do pós-guerra, Hans é constantemente preso por ser homossexual. Devido ao parágrafo 175 do código penal alemão, que tornava atos homossexuais entre homens um crime, sua liberdade é destruída de forma sistemática. O único relacionamento estável em sua vida será com seu companheiro de cela de longa data, Viktor, um assassino condenado. O que começa como repulsa, logo se transformará em amor. Representante da Áustria no Oscar 2022 de Filme Internacional e um dos 15 semifinalistas. Vencedor do Prêmio do Júri da seção Um Certo Olhar do Festival de Cannes 2021. Seleção da Mostra de Cinema de São Paulo 2021.
O jovem advogado Caspar Leinen é contratado para fazer a defesa de um caso incomum: Fabrizio Collini, um trabalhador sem precedentes criminais desde 1970 que, supostamente, assassinou o rico industrial Hans Meyer em uma suíte de hotel em Berlim. Enfrentando um rival que nunca perde casos, Caspar se envolve em um dos maiores escândalos judiciais da história alemã e oculta uma verdade que pode mudar tudo.
End of the 1970s in East Germany: Fred and Jonas are close friends. The 10-year-olds live near at the German-German frontier. After the mother from Jonas has made an exit application, the boys have to recognize that they are soon separated from each other. But they want to dig a tunnel to Australia to meet there themselves again. When Jonas should leave the country with his mother this night changes everything.
In 1988, the East Berlin homicide squad again and again encounters crimes that - according to the opinion of party leadership and state security - do not exist in socialism.
The time is World War II and Juergen Siebusch (Thomas Stecher) and his mother (Gudrun Ritter) are retreating along with the German army, just ahead of the invading Russian forces. Both mother and son hole up in the town of Hohengoerse, where Juergen finds some work watching over sheep - and learns a bit about the facts of sheep life that he extrapolates to some advantage when he meets the appealing Amelie (Brit Guelland), daughter of the landowner. He first helps Amelie out and later applies his new-found knowledge in a barn, appropriately enough. As the Red Army draws near, Juergen deserts a hastily put-together "people's force," as he prefers the barn to the gun. Russian soldiers are shown sleeping and snoring next to their tanks, and the local fascist executed - the war is over. When the new Communist government sets up a land reform package, Amelie's mother's land gets divided up into small plots for small farmers.
