Francisca Castillo

The Patagonian steppe is battered by a grey wind... Mora is 13 years old and intends to become a "gaucho". She questions the school and asserts her individuality towards her parents, two environmentalists from Italian-speaking Switzerland whose dream of autonomy turns into a nightmare. Mora goes deep into the steppe to help the only friend she has, Nazareno, an old Mapuche who has lost his horse, Zahorí.

An actress travels to Lisbon representing a film where she has a secondary role, regarding nobody else was available to go. In the Q&A in the Cinematheque she doesn't know how to answer the audience questions.

Em 2013, para celebrar o seu décimo aniversário, o IndieLisboa tinha convidado quatro realizadores a filmarem em Lisboa: Dominga Sotomayor e Marie Losier (vencedoras da Competição Internacional com “De Jueves a Domingo”, em 2012, e “The Ballad of Genesis and Lady Jaye”, em 2011, respectivamente), e Denis Côté e Gabriel Abrantes, duas presenças recorrentes do festival. “Aqui, em Lisboa” é o surpreendente resultado – quatro autores com quatro visões diferentes da cidade de Lisboa, passando pelos registos da ficção, do documentário, da comédia ou do fantástico. Mas com o traço comum que espelha o festival que os acolhe: a independência.

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.

A powerful Argentine gangster uses everything in his power to stop the woman that wants to kill him, a sexy mercenary known as "the machine gun woman". The staggering sum of cash he offers for her head sets in motion an army of hitmen. And also, by accident, bursts in the life of naïve DJ Santiago, a common youth that will have to steel his guts against the underworld, and above all, survive the irresistible - and bloodthirsty - Machine Gun Woman.

Lucía e Manuel viajam para um fim de semana prolongado com seus pais, Ana e Fernando. O casal decide romper o relacionamento, mas já havia prometido a seus filhos que iriam para o norte, então eles decidem viajar mesmo assim. A viagem lentamente se transforma em uma despedida. É um longo caminho. Na solidão da paisagem e no confinamento do carro começam a surgir os problemas do casal. Mas as crianças só querem chegar à praia.

Lucía e Manuel viajam para um fim de semana prolongado com seus pais, Ana e Fernando. O casal decide romper o relacionamento, mas já havia prometido a seus filhos que iriam para o norte, então eles decidem viajar mesmo assim. A viagem lentamente se transforma em uma despedida. É um longo caminho. Na solidão da paisagem e no confinamento do carro começam a surgir os problemas do casal. Mas as crianças só querem chegar à praia.

Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

A young boy becomes infatuated towards an older woman. TV movie based on Eduardo Barrios's novel of the same title.